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Blu-ray Review: Mulholland Drive

  • May 17, 2017
  • Rob Aldam
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With all the excitement around season 3 of Twin Peaks, along with the recent statement from David Lynch that he will not be making any more films, there’s no better time to re-watch Mulholland Drive. Interestingly, when Mulholland Drive was originally released, the opposite was the case. A frustrated director jumping ship from TV to cinema. It remains his best and most impenetrable film.

Betty (Naomi Watts), a bright-eyed aspiring actress, arrives in LA hoping to realise her dream of becoming a successful actress. When she arrives at her aunt’s house, who’s out of town, Betty finds a mysterious woman in the property. It turns out Rita (Laura Harring), the name she adopts, was in a car crash and has no recollection of her identity. Betty is determined to help her discover who she really is.

Mulholland Drive is one of the most hotly-debated films of all time. It’s still impossible to fathom precisely what it’s about and Lynch seems disinclined to elaborate in any great detail. In the roundabout, it’s a commentary on Hollywood. Initially conceived as a TV pilot, it was filmed in two separate segments over a year apart. It’s as baffling as it is exhilarating. Combining elements of Phycological drama, horror, soap opera and crime mystery, Mulholland Drive is a genre-bending classic which still retains the element of surprise.

Special Features:

• Back to Mulholland Drive featurette
• On the Road to Mulholland Drive featurette
• Criterion interview with Naomi Watts & David Lynch
• New Interview with Laura Elena Harring
• New interview with Mary Sweeney
• Interview with Angelo Badalamenti
• Introduction by Thierry Jousse
• In the Blue Box Featurette
• EPK Interviews: David Lynch, Naomi Watts, Justin Theroux, Laura Elena Harring
• Deleted Scene

The digitally restored Mulholland Drive is released on Blu-ray, DVD and EST by StudioCanal on Monday 22 May.

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Related Topics
  • David Lynch
  • Laura Harring
  • Mulholland Drive
  • Naomi Watts
  • Studiocanal
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

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