Album Reviews
Say Psych: Album Review: Sei Still – El Refugio
Mexican five-piece Sei Still return with their second album El Refugio, out today on Fuzz Club Records. The new album follows their self-titled debut released in April 2020, which is already on its second vinyl pressing after selling out extremely quick first time around. The band was born when they decided to take a random trip …
Album Review: Fluxion – Parallel Moves
Overview: Fluxion continues to carve his own musical path, taking us all together to a personal journey in his inner world, moods and moments, showcasing the importance of being influenced by none other than real life moments, people, expectations, joy, dreams and disappointments. Expressing what comes from the inside, instead of the outside.Creating a more …
Album Review: Various Artists: Hot Sauce 2 ; 14 gems from the vaults of Trojan Records’ labels 1965-1975
Harlem Shuffle are fast becoming one of our favourite labels specialists in killer reggae reissues and the brilliant Hot Sauce compilation we reviewed a while back. They’re back with a volume 2 of the series, this time dedicated to the Trojan label and its associated UK labels, namely Amalgamated, Beverley’s Records, Blue Cat, Clan Disk, …
EP review: Shida Shahabi – ‘Alvaret (Original Soundtrack)’: Stockholm composer soundtracks a short film of domestic tragedy with drone warmth and acuity
WE LAST encountered that Stockholm-based talent Shida Shahabi in these pages just over a year ago, when she released the soundtrack EP for Jennifer Rainsford’s subtle sci-fi short Lake On Fire; and rather a lovely thing it proved, seeing Shida step away from the piano with which she recorded her 130701 debut Shifts in favour …
Album Review: Khemmis – Deceiver
Heavy doom metal masters Khemmis have released their fourth full length studio album, ‘Deceiver’, via Nuclear Blast Recordswhich has been nearly three years in the making. With a title that reflects the internal struggles that many of us battle in our daily lives, Deceiver is a ferociously honest and appetisingly raw piece of musical artistry. …
Album Review: The Terrifying Lows release a scintillating collection of dark edged gritty pop in the brilliant self-titled debut album.
The Terrifying Lows is the work of Melbourne-based musician and Gamilaroi artist Tyler Millott, and his new self-titled album is a sparkling collection of jewels: finely tuned pop vignettes that have a dark undercurrent beneath the shining melodies. To add to the wonder, Millott took full control of the creativity – writing, recording and producing. As …
Album Review: Monolord – Your Time To Shine
Swedish power trio Monolord return with new album, ‘Your Time to Shine’. Recorded by Monolord drummer Esben Willems at Studio Berserk, the album sees the trio looking inward, cultivating the elements that take their monstrous, heavy riffing to new heights with a darker edge. “To me, an honest representation of how I feel about the current state of humanity,” Esben offers, …
Album Review: Sydney’s Supahoney releases the exciting debut album ‘Every Cell In Your Body’
It’s bold enough, in 2021, to be releasing that elusive debut album that a lot of independent artists never even get the chance to do. It’s more so beautiful and encouraging when it’s done so well, by a band that is so spirited and adoring of the art, a band that knows how to express …
Album review: Joel Vandroogenbroeck – ‘Far View’: a curated, cosmic library set from the Belgian psychedelic scion
A MUSICIAN who ventured far in both life and his chosen creative form, Joel Vandroogenbroeck is maybe not a name that trips with ease from your lips; unless of course, you’re a proper head of the deep psych persuasion. For Joel was both the driving force behind and ever-present in the hard-psych voyagers Brainticket, whose …
EP review: Deca – ‘Source Material’: mining the library crates for instrumental breakz
LIBRARY music. It’s the crate-diggers’ crate-dig, the study of the deep connoisseur; that (formerly) unloved, workaday, copyright-free realm of production music, originally only of use and interest to the makers of TV programmes – and a useful session payday to everyone from electronic originators such as Delia Derbyshire and Ron Geesin to Pentangle guitarist John …