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Backseat Mafia
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10709 posts
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Album review: Christine Ott – ‘Time To Die’: French composer returns to Gizeh for a modern compositional masterclass

  • April 5, 2021
  • Chris Sawle
Without a doubt one of the most potent voices in modern composition today, Christine Ott is as happy to push right out into dark, even industrial-infused experimenta as she is to play a straight bat with absolute confidence in the deeper classical tradition and the wider avant-garde palette; she can do it all, if she chooses, and when she breathes the ondes Martenot into life; there really is no one to touch her
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See: Muck Spreader drop the shadowy dub riot of ‘Take Flight’ ahead of a July EP; there’s a June tour, too

  • April 5, 2021
  • Chris Sawle
A CHAOTIC, riotously fun force of nature which – if you believe the myth – came about after lightning struck, Muck Spreader are back with a shadowy, gloriously dub-jazz didactic…
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Album review: Bill MacKay and Nathan Bowles – ‘Keys’: pull up a pew for bluegrass instrumental delight

  • April 5, 2021
  • Chris Sawle
You know what the best thing about Keys is; for all its intimacy, the focus wholly on how the two players and their instruments mesh,a real joy in creation rings through. William Tyler, Black Twig Pickers, Jack Rose fans; please come on over and pull up a pew
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Track: Glass Animals release new version of ‘Heat Waves’ ft. Iann Dior

  • April 5, 2021
  • Tania Ogier
The heat continues to rise for Glass Animals as single Heat Waves gets a dynamic rap rework from next-gen US star Iann Dior (emotions, gone girl). The original track continues…
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See: Theo Alexander’s ‘Bright-Eyed Hunger’: London composer targets the dream state with his dazzling minimalism

  • April 4, 2021
  • Chris Sawle
LONDON pianist Theo Alexander likes to loop, to evoke the dreamstate, to explore the beauty of harmony and melody and repetition. He’s an album coming up on Toronto’s lovely Arts…
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Track: Hear Jim Stewart’s ‘Dead Sea’: the composer responds to a Paul Nash painting, taken from the forthcoming ‘Stills 01’ music and painting project

  • April 4, 2021
  • Chris Sawle
STILLS 01 is the first, beguiling three-track release from new imprint String and Tins Recordings that looks to marry the disciplines of music and fine art, insomuch as each piece…
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Track: Birthday Ass – ‘Plubbage Bubbage’: flicking the Vs at punk and jazz and making them dance with abandon

  • April 3, 2021
  • Chris Sawle
PRIYA CARLBERG, singer and wayward guiding light behind the fun as hell and wonderfully weird punk-funk concoction of Birthday Ass, won’t be drawn on the meaning of the title of…
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Dre Danburry sat on a sofa with fire behind him.
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See: the hand-animated video for Icarus Phoenix’s lovely ‘Cassie Knows, Or How A Shy Person Says I Love You’

  • April 3, 2021
  • Chris Sawle
COMIN’ atcha with a bagful of tunes that strike right at your heart in a simply lovely way – in that way the songs of Daniel Johnston or BMX Bandits…
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Track: Rainy Miller – ‘Meridian, 1520’: a new and leftfield pop language from Preston artist

  • April 3, 2021
  • Chris Sawle
PRESTON. Lancashire city, First section of British motorway avoids it. First KFC in the country. Brutalist bus station. According to the Happy Mondays, home of “some c**t from”. Roaming the…
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See: The lyric video for psych-pop songwriter Barnaby Keen’s ‘Lay Our Cards’

  • April 3, 2021
  • Chris Sawle
LET’S welcome to the grand pantheon of recorded music a debuting (at least solo) songwriter and a new label: firstly Barnaby Keen, who has, on the evidence of “Lay Our…
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