Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • FIlm Review

Film Review: Altman

  • April 2, 2015
  • Rob Aldam
Altman Documentary
Total
0
Shares
0
0
0

Robert Altman was one of the most important, challenging and visionary American directors off the last 40 years. Despite myriad setbacks and periods in the wilderness, he made some of the most influential films in modern American cinema. Despite never winning an Oscar for any of his movies, he was recognised by the Academy with an Honorary Award just before his death. Not only did he challenge the system with his naturalistic style, but he also made pioneering breakthroughs in filmmaking itself.

Ron Mann’s documentary starts with Altman’s early life, from serving in the Air Force to his first forays into TV. Using voiceovers from his family, archive interviews, home videos, clips and on-set footage, he plots Altman’s journey from a young chancer to one of the most globally respected filmmakers. Mann builds-up a complete picture of a man who’s passionate about what he is doing, unwilling to compromise and has a deep affection for his family; both biological and cast.

In total, Robert Altman was nominated as Best Director on five occasions, for M.A.S.H., Nashville, Short Cuts, The Player and Gosford Park. It’s a travesty that he never won an Oscar for any of his films. He dragged the Hollyood establishment forward both in terms of technical advances and thematic considerations. Sadly, his anti-war stance and derision for the establishment led him to being appreciated much more in Europe than his own country. Ron Mann’s film epitomises why Altmanesqe will forever be a byword for innovation, courage and vision for directors for decades to come.

Altman is out in cinemas on Friday.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Soda Pictures
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Album Reviews
  • Music
  • Not Forgotten

Reissue: Rush – All the World’s a Stage

  • April 2, 2015
  • Jon Bryan
View Post
Next Article
Hayden - Hey Love
  • Album Reviews
  • Music

Album Review: Hayden – Hey Love

  • April 2, 2015
  • Mark Gannon
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Sparks Bring Their Singular Universe To Vivid LIVE In Sydney 25.05.2026
    Live Gallery: Sparks Bring Their Singular Universe To Vivid LIVE In Sydney 25.05.2026
  • News: The Sisters of Mercy announce Australian  tour
    News: The Sisters of Mercy announce Australian tour
  • Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
    Live Gallery: Earl Sweatshirt And MIKE Make Their Sydney Opera House Debuts At Vivid LIVE 24.05.2026
  • Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
    Album Review: Looking For People To Unfollow Finds Ecca Vandal Refusing Every Genre Boundary
  • Album Review: McCaslin Dahle – ‘MXD’: An irresistable post-progressive, jazz-rock thriller.
    Album Review: McCaslin Dahle – ‘MXD’: An irresistable post-progressive, jazz-rock thriller.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d