Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • FIlm Review

Film Review: Come Play

  • September 8, 2021
  • Rob Aldam
Children look for dangers
Total
0
Shares
0
0
0

Children seem to have almost limitless imaginations. Undimmed by the daily grind of life, they can create their own distinctive worlds and narratives. Even invisible friends. This expresses itself in many forms, but none more terrifyingly than in nightmares. The monster in the closet. The creature under the bed. Lurking in the shadows, just waiting to pounce. In Come Play, the new film from Jacob Chase, internet trolls are real.

Oliver (Azhy Robertson) is a lonely non-verbal autistic boy who uses a phone to communicate with other people. Lost in his own world, his parents (Gillian Jacobs and John Gallagher Jr.) are too busy with their own lives and disagreements to really do anything meaningful about it. Instead, Oliver retreats into his own bubble powered by the technology around him. However, when a creepy children’s story appears on his tablet it opens a portal to another world.

Come Play is a stylish and beautifully made horror which amplifies the anxieties and foibles of parenting to create a terrifying scenario. Chase’s film is imaginative in its use of modern technology and allusions to the dangers children face online. Whilst the relationship between the adults is underwritten and at times it does rely a bit too heavily on jump scares, Come Play is an impressive and enterprising thriller which exploits the dangers of childhood.

Come Play is released on digital download on 13 September.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Azhy Robertson
  • Come Play
  • Gillian Jacobs
  • Jacob Chase
  • John Gallagher Jr.
  • Universal Pictures
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Sydney singer songwriter Jack Nolan unveils an atmospheric slice of Americana in his new single ‘Gabriel’, title track to new album due for release in October

  • September 8, 2021
  • Arun Kendall
View Post
Next Article
  • Music
  • News
  • Track / Video

News: Richard Ashcroft (The Verve) announces new solo album of acoustic songs from his back catalogue and drops shimmering version of ‘Bittersweet Symphony’

  • September 8, 2021
  • Arun Kendall
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: From The Vanguard To City Recital Hall: Bear’s Den’s Sydney Return Feels Massive 09.05.2026
    Live Gallery: From The Vanguard To City Recital Hall: Bear’s Den’s Sydney Return Feels Massive 09.05.2026
  • News: Indiana Singer-Songwriter Michael Paul Binz Releases New Single 'Plenty'
    News: Indiana Singer-Songwriter Michael Paul Binz Releases New Single 'Plenty'
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • Say Psych: Live Review: Fuzz Club Eindhoven, Day Two: 02.05.2026
    Say Psych: Live Review: Fuzz Club Eindhoven, Day Two: 02.05.2026
  • News: Swervedriver Return To Australia To Perform Raise In Full
    News: Swervedriver Return To Australia To Perform Raise In Full
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d