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Glasgow Film Festival Review: The Man Standing Next

  • March 8, 2021
  • Rob Aldam
After the end of Korean War, it took a while for the South to get back on its feet. While the country made great steps forward both economically and technologically…
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Album Review: Huck Hastings unveils a sparkling and gorgeous album ‘Cheers to Progress’, draped in love, loss, longing and optimism.

  • March 8, 2021
  • Arun Kendall
Huck Hastings is a Sydney based singer/songwriter whose new album ‘Cheers to Progress’ is a cinematic sweep full of longing, love and loss – a vivid and beautifully expressed series…
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News: Dark Horse Records Set To Release A Joe Strummer Collection Featuring Previously Unreleased Version Of Junco Partner

  • March 7, 2021
  • Craig Young
Punk poet, musician, composer, actor, and style icon, Joe Strummer spent his life smashing musical and cultural boundaries both as the singer of The Clash and as a solo artist.…
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See: the video for Masayoshi Fujita’s ‘Thunder’; a flow of sonic delight for electronica and marimba on Erased Tapes

  • March 7, 2021
  • Chris Sawle
IF YOU like your music deliciously abstract, abstractedly delicious; arranged beautifully, an absolute world of evocative sound; fell hard, for instance, for the albums Ryuichi Sakamoto made with Alva Noto,…
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ALBUM REVIEW: Cameron Knowler & Eli Winter – ‘Anticipation’: excellent studies in twin guitar primitivism

  • March 7, 2021
  • Chris Sawle
We don't get to hear quite enough of the modern fingerpicking style this side of the Atlantic, so if you've drifted off from the form somewhat since Jack Rose passed, or wish to explore beyond William Tyler; then hell; start right here. A grand tour of two instruments and two musical minds woven together so tightly and also unravelling like fronds of a fern, seeking all the multiplicity of new directions in folk. An excellent record
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Track: Ueda Takasayu – ‘Every Clouds Calls My Name’: Phantom Limb debutante’s impressionistic, psychotropic odyssey

  • March 7, 2021
  • Chris Sawle
BORN in Hiroshima and raised partly in Germany and Austria, debuting Phantom Limb artist Ueda Takayasu says he spent his childhood feeling stateless, distant from his own cultural identity and curiously “un-Japanese”.…
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Track: HEAVY SENTENCE premiere new track and set release date for DYING VICTIMS debut

  • March 7, 2021
  • K-MaNriffs
On May 28th internationally, Dying Victims Productions and Crypt of the Wizard will release Heavy Sentence‘s highly anticipated debut album, Bang to Rights, on CD and cassette tape (DVP) and vinyl LP (CotW) formats.  Hear Heavy Sentence‘s “Age of…
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Track: UNKNOWN ME’s ‘Open The Sense’ is a rainbow ambient bonbon

  • March 7, 2021
  • Chris Sawle
YOU QUITE possibly haven’t come across UNKNOWN ME, a Japanese collective with a very particularly glimmering, space-age approach to the the business of ambience; in fact, if their moniker is…
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Track: KÄRBHOLZ reveal second video from upcoming Kontra. album

  • March 7, 2021
  • K-MaNriffs
Today, German punk/rock titans Kärbholz reveal the new video “Der Schwarze Schwan.” The track is the second to be revealed from the band’s highly anticipated new album, Kontra., set for international release on March 26th via Metalville Records. See &…
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See: The Harpoonist & The Axe Murderer – ‘Forever Fool (Post-Apocalipstick)’: a late-night stoner chillout reimagining

  • March 6, 2021
  • Chris Sawle
A VANCOUVER duo who met by chance at a jobbing jingle recording session some decade and a half ago, the curiously named The Harpoonist & The Axe Murderer soon discovered…
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