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Track: The Clockworks are back with the snarling and vibrant single ‘Feels So Real’

  • March 19, 2021
  • Arun Kendall
The Clockworks have been building up a very impressive resume over the last 12 months and their new single ‘Feels So Real is a clear indication this is set to…
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Premiere: Mike Clerk reveals new video for the claustrophobic alt-rock of ‘The Air In Here’

  • March 19, 2021
  • Jim F
Mike Clerk, the former frontman of The Lost Generation, is gearing up for the release of his debut solo album, ‘The Space Between My Ear’, which is out on 26th…
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Track: GLOK – ‘That Time Of Night’: Andy Bell drops a surprise electro shimmer

  • March 19, 2021
  • Chris Sawle
HE’s NOTHING if not prolific these days, Andy Bell; the muse must properly be with him. Not content to announce a string of 12″, 10″ and 7″ epilogues to last…
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See: Paris Youth Foundation – ‘Tomorrow’: a post-heartbreak night on the tiles captured in breezy indiepop

  • March 19, 2021
  • Chris Sawle
LIVERPUDLIAN indiepoppers Paris Youth Foundation really aren’t afraid to wear their hearts on their sleeves; they’ve had their hearts shattered on Bold Street more times than is strictly good for…
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Young soldiers in Algeria
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French Film Festival UK Review: Home Front

  • March 19, 2021
  • Rob Aldam
Whilst Europe might have prospered financially from its colonies, the decades of misrule and abuse have left lasting scars. The process of independence has been a natural evolution for some…
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Gallery 47 Artist Picture
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Track: Gallery 47 – Angel Follows Me Out

  • March 19, 2021
  • Mark Gannon
Ultra prolific Nottingham singer-songwriter, Gallery 47, releases “Angel Follows Me Out”, the first single from his 12th album release “Saturation”. It was one of four (that’s right!) albums released in…
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Album review: New Bums – ‘Last Time I Saw Grace’: Ben and Donovan reveal an unexpected treat

  • March 19, 2021
  • Chris Sawle
Last Time I Saw I Grace reveals more depth than the two single drops really hinted it contained; yeah sure, there's cracking moments of that raggedy-assness, but the run of wider-screen psych-country and other tracks are deft and prettily arranged, less ... excellently thrown down than you might expect. It probably isn't the kind of album that throws you back against the wall at some party downtown for a ruby-red lipped snog; but it very much is the kind of album you end up on a spontaneous road trip with, or hanging with on a rainy Sunday, and realised you had deep feelings for all along.
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Track: Brighton’s aptly named Thrillhouse are back with another brilliant track in ‘Where The Roads Don’t Go’

  • March 19, 2021
  • Arun Kendall
Brighton’s slightly mysterious but highly talented musicians, Thrillhouse, are back with another very finely crafted indie pop offering – ‘Where The Roads Don’t Go’ – that confirms their status as…
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Track: Garsa releases the indie pop gem ‘White Rabbit’ ahead of ‘Unfairity’ EP

  • March 19, 2021
  • Arun Kendall
We’ve been following Garsa (the solo work of Martin Garside) for a while now on Backseat Mafia, celebrating a string of singles that have displayed a nuanced songwriting craft with…
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See: Sydney dream pop outfit Grids & Dots unveil delightful double video and announce EP news

  • March 18, 2021
  • Arun Kendall
Sydney’s Dots & Grids have just released a double whammy of videos for the most delightful pair of tracks off their forthcoming EP ‘What Happens To Friendships’ due out on…
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