Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • Film Festival
  • FIlm Review

LFF Review: Burning Cane

  • October 12, 2019
  • Rob Aldam
Total
0
Shares
0
0
0

There has been a reckoning over the last few years and finally we’re beginning to see black voices being given the opportunity to make the films they want to make. One such film-maker is Phillip Youmans. At the age of nineteen, the New Orleans born, New York resident made Burning Cane. Despite still being in high school, the young film student has made a strikingly mature debut.

Set in rural Louisiana, Burning Cane tells the story of a community in a small town. Reverend Tillman (Wendell Pierce) is a troubled Baptist preacher, who puritanical orations from the pulpit are at odds with his alcoholic homelife. Helen (Karen Kaia Livers), his mother, grapples with the cycle of abuse taking place within her family, struggling to reconcile her faith with the harsh realities of life.

Whilst Burning Cane is not entirely the finished article, it’s a raw and gritty treatise on Youmans’ perspective on life growing up in the South. His antagonism towards the church is evident but it’s the picture he paints of the connection between belief and abuse which captures the imagination. Burning Cane is an impressive achievement. It is going to be exciting to see where he goes from here.

Burning Cane screens again at London Film Festival on 12 October.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Burning Cane
  • Karen Kaia Livers
  • LFF
  • London Film Festival
  • Phillip Youmans
  • Wendell Pierce
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Film
  • Film Festival
  • FIlm Review

LFF Review: Adoration

  • October 11, 2019
  • Rob Aldam
View Post
Next Article
  • Film
  • Film Festival
  • FIlm Review

LFF Review: So Long, My Son

  • October 12, 2019
  • Rob Aldam
View Post
You May Also Like
Oasis
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: First Look At Oasis’ Reunion Film Don’t Look Back In Anger

  • Deb Pelser
  • July 5, 2026
Tamra Davis
View Post
  • Backseat Downunder
  • Film
  • Film Festival
  • FIlm Review
  • Music
  • News

Film Review: ‘The Best Summer’ is a bittersweet time capsule of alternative music’s golden age

  • Deb Pelser
  • June 8, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • News: Spilt Milk locks in five-year Geelong deal ahead of 2026 lineup reveal
    News: Spilt Milk locks in five-year Geelong deal ahead of 2026 lineup reveal
  • News: Jonah Marais reunites with Why Don't We bandmates for Australian tour
    News: Jonah Marais reunites with Why Don't We bandmates for Australian tour
  • News: BIGBANG announce exclusive Australian stadium show for 20th anniversary world tour
    News: BIGBANG announce exclusive Australian stadium show for 20th anniversary world tour
  • Album Review: Jad Atoui – ‘It Will Take Forever’: A challenging merger of electronics, noise and ambience from the Lebanese sound sculptor.
    Album Review: Jad Atoui – ‘It Will Take Forever’: A challenging merger of electronics, noise and ambience from the Lebanese sound sculptor.
  • News: The Corner Hotel celebrates 30 years with Bodyjar, Meg Washington and more
    News: The Corner Hotel celebrates 30 years with Bodyjar, Meg Washington and more
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d