A decade after the release of their debut album Dogs At Bay, Bad//Dreems are revisiting the record that positioned them as one of the most vital guitar acts in the country. The Adelaide outfit will mark the milestone with a run of intimate national shows, performing Dogs At Bay in full alongside a curated selection of fan favourites.
Bad//Dreems have also released a limited Dogs At Bay 10th Anniversary Edition Vinyl in ‘Bogan Brick’ and ‘Hume Blue’ colourways, featuring all the prolific songs that marked a significant milestone in Australian music history.
Formed in 2012 in a whitegoods warehouse in Adelaide, Bad//Dreems quickly developed a sound that married the grit of classic pub rock with an unusually sharp sense of lyrical depth. Produced by Mark Opitz (AC/DC, INXS, The Angels), their debut earned them nominations at the AIR Awards, National Live Music Awards, SA Music Awards, and landed an honourable mention in Rolling Stone’s Greatest Australian Albums of All Time. The record resonated deeply, exposing suburban malaise and masculine vulnerability without irony or filter, wrapped in a sonic palette of bruised guitars and raw urgency.
“I was never convinced that people really understood the band or our songs at the time. Then again, I don’t know if we really did either. After our early releases, some pseudo-cultural elites wrote us off as ‘pub rock’. So, this was a moniker we embraced, unfashionable though it was at the time. It proved an interesting vehicle to explore many of the themes that underpin the Australian identity, which is something we have always been drawn to. Dogs at Bay was the beginning of an exciting and often peculiar road, replete with a few pot holes and wrong turns. The songs seem to have stood the test of time; many are still mainstays of our set. We feel lucky that there is interest enough from people for us to revisit it.” – Alex Cameron
Dogs At Bay wasn’t just about defiance—it was about discontent, discomfort, and complexity. Tracks like “Cuffed & Collared” and “Hiding to Nothing” tackled themes of class, mental health, and the contradictions of modern masculinity, often from the inside looking out. Rather than directing rage outward, frontman Ben Marwe embodied his characters, giving their frustration, confusion, and quiet desperation a disarming emotional resonance—particularly in live settings.
The band’s commitment to authenticity helped forge a path for a new wave of Australian rock bands—Amyl and the Sniffers, The Chats, Pist Idiots—who brought storytelling back to the sticky floors of local venues. Beyond that, Bad//Dreems earned praise from unlikely corners: The Avalanches and At The Drive-In’s Cedric Bixler-Zavala both tapped the band for support slots, while Go-Betweens co-founder Robert Forster called their song “My Only Friend” a “masterpiece of Australian rock.”
Their later albums—Gutful, Doomsday Ballet, and Hoo Ha!—only deepened their perspective, with Hoo Ha! earning an ARIA nomination for Best Rock Album, a #2 placing on Double J’s Best Albums of the Year list, and a nod for Double J Artist of the Year.
Bad//Dreems have always used their music to dissect the unspoken undercurrents of Australian life. Songs like “Mob Rule” and “Bogan Pride” confront toxic nationalism and mob mentality; “Hoping For” and “Northern” unravel quiet hopelessness; while “Jack” and “Sacred Ground” reckon directly with Australia’s history of dispossession and whitewashing. Their Like A Version cover of the Warumpi Band’s “Blackfella/Whitefella” — featuring Peter Garrett, Emily Wurramara and Mambali — further underlined the band’s vocal support for truth-telling and Indigenous justice.
That same commitment took them to the Northern Territory in 2023, where they toured with Jabiru’s Black Rock Band and played a career-defining set at the 50th anniversary of the Wave Hill Walk-Off at Kalkarindji’s Freedom Day Festival.
Now, ten years on from their debut, Bad//Dreems will celebrate Dogs At Bay with a series of shows that reconnect fans to the record’s bruising energy and enduring relevance. As one of the country’s most commanding live acts—honed across stages in Australia, the UK and US—this tour will revisit the songs that helped shape both their career and a new chapter in Australian rock.
BAD//DREEMS TOUR
Friday 5 September – Mary’s Underground, Sydney NSW
Thursday 11 September – Lefty’s Music Hall, Brisbane QLD
Friday 19 September – The Evelyn, Melbourne VIC
Saturday 20 September – Port Noarlunga Arts Centre, Port Noarlunga SA
Friday 7 November – Indian Ocean Hotel, Scarborough WA
Tickets HERE.
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