ambient
News: Max Cooper to bring his stunning audio-visual experience to the Acropolis, and drops ‘Leaving This Place’ from his forthcoming ‘Maps’ EP
WITH what looks to be another absolutely essential, cartographically-inclined Maps EP out at midsummer, Max Cooper has today dropped a typically jaw-dropping short film – to call it a video is somehow to demean the scale and art of the piece, I feel – for one of that EP’s most outstanding tracks, “Leaving The Place” …
Premiere: We interview Swedish producer Friggen, plus reveal video for Miljoner Stjärnor
We’re delighted to be able to premiere the new video for the track Miljoner Sjärnonr, taken from Swedish producer Friggen’s recent EP Naiv.Super, out now on Muzai Records – grab a download or cassette here We’ve also grabbed an interview with Friggen, who moved from drumming in bands to making the sort of beautifully serene …
See: Bruno Bavota – ‘Apartment Loop #6’: a personal experience of lockdown captured in modular electronics
WE LOCKED the door; we waited. We waited, we combed the airwaves; we counted the days some more. The experience is nigh on universal, save those of you lucky enough to be reading in Taiwan, Christchurch, Auckland and elsewhere. Italy was caught by the pandemic earlier than many, and as it swept across the country, …
See: Mattia Cupelli – ‘EGERIA’: propulsive ambient darkwave goes down to the water
MATTIA CUPELLI, the Italian darkwave ambient composer, the cyclical, shadowy prayer call of whose “MONOLITH” we covered in these pages just over a week ago, has dropped another track, this time showcasing a more propulsive dark aesthetic. It’s called “EGERIA” and you can watch the video for it below. Built on the hard rock of …
Album review: Masayoshi Fujita – ‘Bird Ambience’: a marimba and electronica masterclass for meditative thought
IF YOU like your music deliciously abstract, abstractedly delicious; arranged beautifully, an absolute world of evocative sound; fell hard, for instance, for the albums Ryuichi Sakamoto made with Alva Noto, Revep, Summvs, Vrioon, et al; or have adored the lusciousness of Chihei Hatakeyama’s new album, Late Spring, then sit down, sit up – Japanese vibraphonist, …
News: 7K! announces the latest in its series of digital ambient compilations, ‘Wind Layers’; hear a taster in Colin Stetson’s ‘Beyond The Break’
!K7’S mirror-image modern compositional and ambient offshoot label, !7K, has announced the latest in its ongoing series of digital-only, wide-ranging, thematic compilations, and this time the focus will be on wind instruments. Following Piano Layers, Strings Layers and last winter’s erudite and necessary Ambient Layers (read our review of that one, here), Wind Layers gathers …
Album review: Sedibus – ‘The Heavens’: The Orb’s good Doctor administers a heady and blissful ambient potion
HE MAY have entered his sixth decade on this particular rock spinning in space – and don’t even get me started on the passage of time, I mean how can this have happened? – but the good Doctor, Alex Paterson, ambient dub techno genius behind The Orb, is ready to roll with a whole clutch …
See: The Spanish lyric video for the otherly beauty of Oneohtrix Point Never & ROSALÍA’s drifting ‘Nothing’s Special’
IT ALL began with a few casually posted photos on socials, showing Barcelonian cantante ROSALÍA in the studio with first posted casual studio photos with Daniel Lopatin, better known as Oneohtrix Point Never. That cranked the rumour mill into action, even Rolling Stone getting involved in what might be coming from the pair in fusion. …
Premiere: Jack Prest – ‘Test Tone IV’ and ‘Test Tone VII’: deliciously amniotic ambient electronica from Sydney
JACK PREST, the Australian soundscaper, is perhaps best known for his work on the other side of the plexiglass as an engineer and producer at Sydney’s Studios 301, nine decades of recording absolutely according it legendary status. Best known, for now. That looks like it really could be about to change; lovers of the blissful, …
Track: Mattia Cupelli reveals a dark ambient aesthetic with the eerie prayer call of ‘MONOLITH’
ROMAN composer Mattia Cupelli likes to play on the borders of modern classical, electronica, ambient and soundtrack elements, which has stood him in good stead over nearly a decade of composing scores for more than a dozen films. He’s now embarking on a non-filmic exploration of dark ambient, with an album, RUINS, coming out in …