EP REVIEW: Minotaur Shock – ‘Qi’: exhilarating and complex IDM for Bytes
Freed from the tyranny of production choice, Qi is Minotaur Shock's freest and most beguiling outing since back in his Melodic days
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EP REVIEW: LUMER – ‘Disappearing Act’: cathartic post-punk anger
Cathartic anger from Yorkshire post-punks stakes their claim to a place in a crowded pantheon
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EP REVIEW: Frank Iero and the Future Violence – ‘Heaven Is A Place, This Is A Place’
Heaven is A Place, This Is a Place does its intended job; short and sweet, a furious kick to the jugular
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EP REVIEW: Tori Amos – ‘Christmastide’: four originals for the season
A stateswoman of female musical discourse takes the Christmas song tradition and makes of it something thoughtful, intelligent and nuanced
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EP Review: The Moors – 15 Minutes
NYC’s The Moors just released their debut EP, ’15 Minutes.’ Formed in 2018, The Moors is comprised of lead singer, rhythm guitarist, and songwriter Din (Mubashir Mohi-ud-Din) and lead guitarist,…
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EP Review: Michael CG – The Most Highly Acclaimed Horror Phantasy Of Our Time
Teessides Michael CG is ending the year with the release of his lengthy titled EP – ‘The Most Highly Acclaimed Horror Phantasy Of Our Time’. Previously released track, ‘When I…
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EP Review: Oldblood – Arms To The Sky
Formed in north London in 2018, Oldblood merge elements of doom, punk, post-metal and black metal into one cohesive, blackened monstrosity. As shown by their debut 4-track EP ‘Arms to the Sky’. Themed around…
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EP REVIEW: Quiet Marauder – ‘Tiny Men Parts’: a critique of the male condition in bounce-along indiepop
Tiny Men Parts nails masculine creepiness and ineptitude with insouciance and tons of guitar pop like they used to make
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EP REVIEW: Laura Groves – ‘A Private Road’: pristine and dreamy debut; socially distanced gig announced
A Private Road is a dreamscape, swirling elements of modern electronica, shoegaze, soul and folk into a set on which you really get a sense of Laura while she also remains wraithlike, a blur of whisper and talent at the core
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EP REVIEW: Sophie Jamieson – ‘Release’: a brilliant, introspective four tracker
Her voice and songwriting are so very strong; there's no doubt Release is her best yet
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