Posts in tag

Freak-Folk


Not Forgotten: Comus – First Utterance

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Ever tried keeping up with Richard Dawson? It’s a challenge that always pays off. Over the past couple of years we’ve been gifted his reflective and resonant song craft on ‘2020’, the poptastic quirkiness of Hen Ogledd’s ‘Free Humans’ and the woozy, lockdown ambience of ‘Bulbils’. Now comes more news of Dawson’s restless musicality shooting …

Following his retirement in 2014, there are few, if any opportunities to hear new material from Robert Wyatt, though while he remains alive and in reasonable health, there’s always a glimmer of hope, and his canon of oddball esoteric jazz-pop remains much revered and respected within the musician community and far beyond. Save for a …

Glasgow psych/freak folkers Trembling Bells have followed the brilliant Christ’s Entry Into Govan with a new track, I’m coming. Described my main man Alex Neilson says of the track “This is one of the more accessible songs that I’ve written. Lyrically it’s very much in debt to Oscar Wilde’s DeProfundis. I heard a broadcast of it …

Seems like we’re only a few days into 2018 and we’ve already had some brilliant new tracks. Here’s another one, maybe the best. Trembling Bells return with ‘Christ’s Entry Into Govan, a Leige & Leif slice of freak folk, that has this startlingly brilliant arrangement, full of intricate guitars and lovely harmonies, but it’s so …

I first became aware of Comus back in early 1996, when First Utterance enjoyed its first foray onto CD. Described by a reliable publication as “Freaky Folk Prog”, the largely acoustic music, idiosyncratic vocals and traditional instruments sounded right up my particular strata. Sadly I was a penniless student at the time, so intrigued was …