Indie track
Track: Last Days of April – ‘Alone’: a readymade and prescient fuzzpop anthem
STOCKHOLM’S lovely Last Days of April, with singer and guitarist Karl Larsson the ever-present guiding light, are firing into their quarter-century anniversary year with a tenth album of high-octane guitar pop fun in June: eight songs that look a life with a bittersweet, fuzzy melody, entitled Even The Good Days Are Bad. Today they’ve dropped …
Track: Mumble Tide – ‘Sucker’: The delight of getting rid with snarly guitars to boot
NOW THERE’S a sweet and unusual back story: Mumble Tide, the Bristol bedroom pop duo of Gina Leonard and Ryan Rogers, first met through a Gumtree ad which singer Gina had placed, looking for a bassist. “The boyfriend part was a bonus,” she adds – with maybe a little justifiable delight. There’s no doubt that …
Track: Dave Keuning – ‘The Fountain’: The Killers’ guitarist readies to spread his wings with a second solo album – hear a cracking first track
SPREADING his creative wings for a second time following 2019’s surnamed-only outing Prismism, The Killers guitarist and founding member Dave Keuning is due to release a long-player, A Mild Case of Everything, via his own Pretty Faithful Records imprint come midsummer. due out 25th June on his label, Pretty Faithful Records. A Mild Case of Everything comprises 16 …
See: Sunglasses For Jaws – ‘What Does It Look Like?’: enter the swinging, funky world of Frank and disappear through his mirror
WHILST, in other, less trippy lives, being a perfectly tessellated and readymade rhythm section for acts including Sinead O’Brien, Geowulf, Nick Waterhouse et al, bassist David Bardon and drummer Oscar Robertson have also began dreaming up a more hallucinatory life as Sunglasses for Jaws, under which disguise they’ve been quietly active on the London psych scene …
Track: E.R. Jurken – ‘John Doe’: a single drop of melodic harrow ahead of Friday’s album
E.R. JURKEN is a singer-songwriter with a deeply moving, beautiful and fragile take on psych-pop with a 1968 Anglophile twist and a Neutral Milk Hotel twirl to his aesthetic, for whom Drag City have initiated a whole new boutique imprint, Country Thyme; you just know they know when they’re on to a good thing. E.R. …
Track: Dutch Wine – ‘Whisky’: Glaswegian indie trio mourn a lost love in mantric guitar
BE IN no doubt; the Glaswegian indie scene is one these isles should be thankful for. Having produced so many great bands since the days of the post-punk – c’mon, need we name them all? – the new crop of acts coming through are carrying the proud tradition and knocking out some superb tunes. In …
Track: TeenCanteen – ‘How We Met (Cherry Pie)’: Glasgow indiepoppers dust down their early recordings and find treasure
WITH five years passed now – what? It’s really that long? – since Glasgow’s sweet indiepop quartet TeenCanteen released their debut album, Say It All With A Kiss, the band have been digging in the vaults, blowing the dust off a collection of recordings that by rights should’ve formed their debut album proper back in 2012. …
Track: HANYA – ‘Lydia’: Rising Brighton shoegazers bring the power and the punch – they’ve announced an autumn tour, too
BRIGHTON shoegazing five-piece HANYA, whose lovely Sea Shoes EP – an eye-poppingly limited cassette release for hometown label Austerity we fell for here – have dropped a new single, the rousing dreampop of “Lydia”. Take a listen below. It’s a cleanly dreamy anthem, made of punchy guitar shimmer and Heather Sheret’s trademark, breathy vocals. It’s …
Track: Jeshua – ‘IDK (mnlghtr remix)’: classy Scottish dreampop gets a blissful breaks rerub
IT WAS only a month back that we covered the third single drop from rather obscenely talented upcoming Glasgow tunesmith Jeshua, “IDK”; and it was another fine entry in his fledgling catalogue. I mean, he’s been releasing tunes for such a short length of time. And they’re all effortlessly cracking. When “IDK” first came out, …
Track: Kaktus Einarsson – ‘Kick The Ladder’; Fufanu frontman steps out with intelligent, post-rock pop
YES, THERE are glacial guitars; deep, granular textures, broad-spectrum instrumental effects that see you soaring over the landscape in your mind’s eye; it would be all too easy to stop here and reference back to fellow countrymen Sigur Rós. But then the sweet male vocal makes itself known and the dramatic scenery of the song …