post classical Archives - Page 2 of 2

ALBUM REVIEW: Less Bells – ‘Mourning Jewelry’: absolutely affecting drone-post classical forged in loss

JULIE CARPENTER, who records for Texas’ home of boundary-pushing out-rock and drone beauty Kranky, has journeyed from musical academia at the University of North Texas, through session work as a…

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SEE: Ólafur Arnalds returns with the beautiful noir of ‘Back To The Sky’

IF YOU like your music to come with an architecture of gorgeously constructed post-classicism, an experimental and conceptual edge, yet still have enough presence in the world of contemporary pop…

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TRACK: Olivier Alary & Johannes Malfatti – ‘Drifting’: out-classical, ISDN warmth

MONTREAL-based, Toulousain composer Olivier Alary and his Berlin-based compatriot Johannes Malfatti have been friends for many years – that kind of relationship so much easier to conduct in our modern…

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ALBUM REVIEW: Dmitry Evgrafov – ‘Surrender’: fashioning post-classical into new shapes

FATCAT’S boutique 130701 imprint is neck and neck with Erased Tapes as the stable of the sometimes rarified, always immensely listenable world of modern- and post-classical; especially the piano-based end…

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ALBUM REVIEW: Quest Ensemble – ‘The Other Side’

THE TRIO of pianist Filipe Sousa, cellist Tara Franks and violinist Preetha Narayanan, who record as Quest Ensemble, are far from your vanilla classical trio. Drawing on backgrounds in which…

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ALBUM REVIEW: Yair Elazar Glotman and Mats Erlandsson – ‘Emanate’

FATCAT’s boutique 130701 imprint is one of the leading go-tos for the experimental edge of modern composition: that zone where classical bleeds and blends with modern rock and electronic thinking,…

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Track: A.A. Williams – All I Asked For (Was To End It All) plus debut album news

London based singer/songwriter A.A Williams has announced the release of her debut album ‘Forever Blue’ on July 3rd via Bella Union. To mark the occasion Williams has shared a haunting…

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See: Poppy Ackyord releases new video for ‘Paper’

On her recent album Resolve, her first for One Little Indian, post-classical composer Poppy Ackroyd stepped away from using manipulated field recordings, instead using prepared instruments – paper over the…

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