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Album Reviews

3363 posts
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Album Review: Ron S Peno and the Superstitions release the stupendous ‘Do The Understanding’, and announce launch gigs

  • July 26, 2021
  • Arun Kendall
The legendary and charismatic Ron S Peno fronted the iconic Died Pretty since the eighties, with time off for bad behaviour and a band hiatus. Having moved to Melbourne, he…
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Album Review: Descendents – 9th & Walnut

  • July 25, 2021
  • Greg Hyde
"It’s difficult to imagine there being that many collections of short, fast, fun, straight-ahead punk songs released this year that are as enjoyable as this."
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Album review: Neil Cowley – ‘Hall Of Mirrors (Reflected)’: ambient piano is tripped further into leftfield on this excellent remixes set

  • July 25, 2021
  • Chris Sawle
THE REMIX album is a really interesting thing, a gathering of the tribes in a meeting place that’s arisen from the sphere of dance music, in which like minds bring…
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Album review: Merpire’s debut album ‘Simulation Ride’ is beautifully crafted rock serving to soothe the lost and lonely

  • July 24, 2021
  • Tania Ogier
Purveyor of sensitively insightful indie, Melbourne’s Merpire has just released her long-awaited debut album Simulation Ride via Warner’s ADA. The record is a heartening and satisfying culmination of the artist’s…
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Album Review: Infinity Broke swagger out on to the streets with ‘Your Dream My Jail’: a brilliant and visceral coating of indulgent excess and cathartic chaos – plus tour news.

  • July 24, 2021
  • Arun Kendall
Infinity Broke are a band that does not go gently into the night: their new album ‘Your Dream My Jail’ is an excoriating, driven, thunderous slice of post-punk cake that…
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Album Review: Sydney’s Darren Cross (Gerling) creates a little ‘DISTORDER’: a splendid electronic fugue for our dystopian times

  • July 24, 2021
  • Arun Kendall
Darren Cross is a pillar of the inner city indie scene in Australia: one of those hyperactive artists who never stands still. In the nineties he was in Gerling –…
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EP: Jhariah releases the evocative and dynamic genre-defying ‘A Beginners Guide To Faking Your Own Death’

  • July 23, 2021
  • Staff Writers
Every so often I find myself bored with my current rotation of music and before I know it I am falling down a rabbit hole on streaming platforms trying to…
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Album review: Llyr – ‘Biome’: a deeply textural exploration of ecological IDM for Mesh – and frontrunner for electronica album of the year

  • July 22, 2021
  • Chris Sawle
YOU KNOW that if no less a renaissance man than Max Cooper is taking enough of an interest in what you’re sculpting in sound to sign you up for his…
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Album review: Dusted – ‘III’: A cross-country relocation blows the dust off an intimate, autumnal beauty

  • July 19, 2021
  • Chris Sawle
THERE’S a very strong argument to be made, in the sphere of the more introverted singer-songwriter and that of Americana, that the best music is the living music, the real…
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Album review: Alasdair Roberts og Völvur – ‘The Old Fabled River’: Scots-Norwegian sextet debut a record of correspondences, life cycles and exploratory depth

  • July 19, 2021
  • Chris Sawle
HE’S GRACED us with a very Northern European and delicious take on introspective folk since that trio of lovely albums, The Rye Bears A Poison, Daylight Saving and The Night…
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