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Album Reviews


EP Review: The Love Buzz Shine On ‘No Different’

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Say Psych: Album Review: Maquina – PRATA

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EP Review: Liverpool Genre-Bending Quartet Bonk! Shine On ‘The Act Of Doing It’ EP

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In times of uncertainty and change, there is nothing more constant and reassuring than a new album from New Zealand’s legendary The Bats. Like a guiding star in the firmament, The Bats have a steady and consistent hold in the musical pantheon – giving direction and a steady path. ‘Foothills’ is simply brilliant – it …

The duo of Emre Türkmen and Dylan Bell that make up Exit Kid have released a new EP – Garden EP Speaking ahead of the EP’s arrival, Türkmen explained:  “Modern life is rubbish, we all know this. Isolation is part of the deal. This EP was mostly written during lockdown with haste, humour and anger in …

BIG CROWN. Big. Crown. Roll that collocation of words around your mouth; if you’re a real music lover, you know these guys, Leon Michels and Danny Akalepse, are indeed proper royalty for the love, the care and the level of curation they bring to such a fine stable of artists: The Shacks, Lizette & Quevin, …

Arrogance Is The Death Of Men is such a different creature to Skinshape’s last, Umoja. It’s got that guitar thing going that Will does so wonderfully; lyrically, you can hear the catharsis of this year, the trials and tribulations. It’s a lovely record full of emotion and guitar that helps usher in the end of this year. Win.

Melbourne’s Eilish Gilligan is a one person tour de force who has bloomed during the harsh (but ultimately very successful) lockdowns in Victoria. She has been releasing some stunning singles over the past year, undertaking fascinating live shows during lockdown through Twitch and has now released an epic self-produced EP, ‘Hospital’. This EP is a …

Private Meaning First is an unrelenting album, befitting the current claustrophobia; one to melt and shriek your woes away to

Fractal Future Plays sits in a fine line of albums which admit psych to their blend, admire its cosmic clear sight rather than its sensual flood; the romance, the seduction, the perfume of the other just behind the flimsiest curtain

THE FINNISH group Pharoah Overlord have made a welcome return with an expanded iteration of their previous era, amplifying the krautrock-influenced soundscapes established in 2019’s 5, joined by Sumac and Old Man Gloom’s Aaron Turner. Here, Tomi Leppänen and Jussi Lehtisalo’s Kraftwerk-influenced, ravaging electronica melds with Aaron Turner’s harsh vocals for a futuristic attack of …