Album Reviews Archives - Page 129 of 337

Album review: José Mauro – ‘A Viagem Das Horas’: another unearthed Brazilian gem from Far Out Recordings

LOST albums create a mystique stoked by rumour, fandom and hype, waiting for the moment to surface and often for the bubble of expectation to burst. But some records emerge…

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Album review: Portico Quartet – ‘Terrain’: a truly reflective journey

PORTICO QUARTET have always been a vibe. Since their formation, in my opinion they’re one of the few instrumental jazz-psyechedelic-electronic bands to live up to that musical blend, and furthermore,…

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Album Review: Sturt Avenue’s debut album ‘How Do You Think It Should Be?’ delivers a special kind of indie-folk from its homegrown heart

South Australian band Sturt Avenue are set to release their debut album ‘How Do You Think It Should Be?’ next Friday, 4 June. Having already released 4 of the tracks as singles,…

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Premiere: Ipswich instrumental magicians Coalfalls provide us with an exclusive listen to their new EP ‘Pieces’: a shimmering sonic temple

Ipswich band Coalfalls achieve something remarkable for a band that plays instrumentals: they create the most evocative and lush soundscapes that speak volumes without words. We introduced the band last…

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Album Review: Twenty One Pilots – ‘Scaled and Icy’: eternally evolving and enigmatic

Eclectic alt-rock duo Twenty One Pilots have gone fully out of the box with their ambitious new album Scaled and Icy. Released Friday 21st May via Fueled by Ramen, their…

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Album Review: Allday’s ‘Drinking With My Smoking Friends’ is an atmospheric masterclass in dreamy, melancholic indie pop

Adelaide born but now Melbourne resident Allday (the moniker of Tom Gaynor) magnificent album ‘Drinking With My Smoking Friends’ has been anticipated by a series of stunning singles that have indicated the presence…

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Album review: Sven Wunder – ‘Natura Morta’: Swedish maestro jet sets for the retro Italian film score sound and delivers beautifully

THERE’S not actually a lot we can reveal about the wonder that is Sweden’s Sven Wunder, except to say: he’s got this. He understands this, the music; he knows it…

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EP Review: Oceans washes a dream pop shoegaze fugue over us with the epic ‘Come So Far’

‘Come So Far’ is an immersive and epic debut from Melbourne’s Oceans (the moniker of Thomas Lee): four tracks that shimmer and sparkle with an iron spine and a dreamy…

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Album Review: Gruff Rhys – Seeking New Gods

It’s a tricky thing, judging the solo work of an artist who has had such huge success at the head of a band. Should their albums be considered solely within…

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Album Review: black midi – Cavalcade

"One of the best albums of the year."

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