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Album Reviews

3427 posts
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Droppin’ Knowledge: Behind The Boards With Santa Cruz Sound Czar Eddou XL

  • June 22, 2021
  • MD Semel
And we back…and we back…nah, nah, nah… Santa Cruz sound czar Eddou XL joins today’s version of Behind The Boards. The California-based producer, beat maker and instrumental hip hop creator…
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Album review: Lightman Jarvis Ecstatic Band – ‘Banned’: a fever dream of impressionistic acid-folk-soul for the jaded ear

  • June 21, 2021
  • Chris Sawle
BY THEIR name, they sound like they should be some great lost Moog-psych outfit from ’69, and weird and wonderful is definitely a touchstone for the Lightman Jarvis Ecstatic Band,…
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Album review: Blood Wine or Honey – ‘DTx2’: a melting pot of Afro-jazz, punk-funk and bass bring the weird colours for a wonky party

  • June 21, 2021
  • Chris Sawle
BLOOD WINE OR HONEY call their particular thang hypno-tropicalia, and it certainly is that; and whoah! so much more. Much more Based in Hong Kong, the core intelligence behind Blood…
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Album review: Kevin Richard Martin – ‘Return To Solaris’: The Bug is the ghost in the machine for this ecstatically eerie rescoring of the Soviet sci-fi classic

  • June 20, 2021
  • Chris Sawle
WORKING with huge acclaim in the shadowier textures of electronic music now for longer than we care to recall, Kevin Richard Martin – aka The Bug, King Midas Sound, Techno…
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Album review: DC’s Dark Nights – ‘Death Metal’: a raw, ravaging soundtrack

  • June 19, 2021
  • James Kilkenny
THE NEW soundtrack album is an ambitious and extraordinary ‘first’; the musical accompaniment to the recent DC Comics event, helmed by writer Scott Snyder and artist Greg Capullo. Based upon…
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Album Review: Bright Light Bright Light – ‘So Gay, So Dramatic’

  • June 18, 2021
  • Kevin Paterson
It’s been a busy twelve months for New York dwelling Welsh man Rod Thomas, AKA Bright Light Bright Light. It was only September last year when he released his forth…
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New Music: Rebecca Vasmant – WITH LOVE, FROM GLASGOW

  • June 17, 2021
  • Adrian Barr
Glaswegian musician, producer, DJ and curator Rebecca Vasmant announces her debut LP ‘With Love, From Glasgow’, showcasing the breadth of the incredible Jazz talent the city has to offer. Having…
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Album review: The Catenary Wires – ‘Birling Gap’: Amelia and Rob take a look at how we’re doing as an island in folk-rock and fuzzpop

  • June 14, 2021
  • Chris Sawle
AMELIA FLETCHER and Rob Pursey have been making intelligent British indiepop together through more incarnations than your current, faithful scribe cares to shake a stick at, and thus that stick…
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Album Review: Quivers unveil the epic, jangling, melancholy indie pop masterpiece of ‘Golden Doubt’ and announce Australia-wide tour.

  • June 14, 2021
  • Arun Kendall
Starting in the tiny southern capital of Hobart at the edge of the world before moving, as bands often do, to Melbourne, Quivers have caught global attention with their unique…
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Album review: Peace Flag Ensemble – ‘Noteland’: intelligent, warm and melodic jazz improv from Canadian collective

  • June 13, 2021
  • Chris Sawle
LADIES and gentlemen of the more recherché musical persuasion: introducing a new act to especially intrigue the weird jazzers among you, Peace Flag Ensemble, an experimental collective drawn from various…
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