Album Reviews Archives - Page 132 of 337

Album review: Fightmilk – ‘Contender’

Contender, the second album from South London four-piece Fightmilk follows on from their 2018 debut, Not With That Attitude, and could well be their breakout moment. Formed in a beer garden…

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Album: The Rumjacks – Hestia

After all the press associated with the bands past it seems the addition of new singer Mike Rivkees who has slid into the ranks perfectly well. Writing their new album…

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Album: Frank Black – Vinyl Release of Frank Black Francis, Honeycomb and Fast Man Raider Man

On 14th May Demon Records will release three Frank Black albums which have never been available on vinyl before. ‘Francis Black Francis’, ‘Honeycomb’ and ‘Fast Man Raider Man’ Each is lovingly issued on…

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Album: David Gray – Skellig

Folk troubadour Gray is on to his twelfth studio album titled ‘Skellig’. Which takes its name from a formation of precipitous rocky islands off the coast of Co. Kerry where…

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Album review: Graham Costello/STRATA – ‘Second Lives’: energised modern jazz for the world today

SOMETIMES it pays to step back and remember that the kaleidoscope of UK jazz has many focal points beyond the frequently illuminated London scene. There’s the Worm Disc massive in…

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Say Psych: Album Review: Veik – Surrounding Structures

French three-piece Veik released their debut album Surrounding Structures on Friday via Fuzz Club Records. Centred around vintage analogue synths and abrasive instrumentation, the band’s experimental post-punk is rooted in…

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Album review: Kasai Allstars – ‘Black Ants Always Fly Together, One Bangle Makes No Sound’: maybe more restrained, but still surprises

SOMETIMES a record comes along that disrupts your expectations. Since their debut album in 2008, Kasai Allstars have been one of the cornerstones of Congotronics, that vibrant assemblage of polyrhythms…

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Album review: Sarah Neufeld – ‘Detritus’: a tour-de-force of violin catharsis that pushes out to post-rock

SUPPLYING the power of her violin to Arcade Fire from their breakthrough smash Neon Bible on; founding member of exploratory instrumental sextet Bell Orchestre, alongside Richard Parry, whose career has…

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Album review: ROY -‘Roy’s Garage’: a magic carpet ride around the psychedelic pop globe

ROY does nothing exactly new with Roy's Garage, but he does everything with a deft touch and real understanding. If you love British and American psych circa 1966 to 1968, has many an album on Bam Caruso, Edsel, Sundazed, then you should embrace this record wholeheartedly; if your experience of this particular era of psych - before what scientists call the Iron Butterfly event horizon, when pop melody and brain-feeding sonic exploration sit in balance on the scales and before the freakout totally becomes the event - then this album is a great gateway drug. ROY knows. You'd be wise to let him guide you through. It's time to make a little more room in your psychedelic pop-lovin' heart for him.

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Album Review: Dead Can Dance’s Lisa Gerrard and Jules Maxwell’s new album ‘Burn’ is an enthralling cinematic vision that mesmerises

Australian duo Dead Can Dance (consisting of Lisa Gerrard and Brendan Perry) were an extraordinarily innovative band signed to the legendary 4AD label (becoming their highest selling artists), fusing medieval music with gothic undertones and ambient…

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