Album Reviews Archives - Page 132 of 339

Album review: Masayoshi Fujita – ‘Bird Ambience’: a marimba and electronica masterclass for meditative thought

IF YOU like your music deliciously abstract, abstractedly delicious; arranged beautifully, an absolute world of evocative sound; fell hard, for instance, for the albums Ryuichi Sakamoto made with Alva Noto,…

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Album review: Sedibus – ‘The Heavens’: The Orb’s good Doctor administers a heady and blissful ambient potion

HE MAY have entered his sixth decade on this particular rock spinning in space – and don’t even get me started on the passage of time, I mean how can…

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EP: Incessant – Perennial Umbra

Irish black metal band Incessant have released their debut EP ‘Perennial Umbra’. It is best to keep in mind that this is a trio whilst listening to this EP. The noise they…

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Album review: Mdou Moctar – ‘Afrique Victime’: a coming together of the West African and western rock

MDOU MOCTAR is at last gathering momentum; but it’s been an epic journey since 2008, when his raw emotional guitar music first began to spread across West Africa via the…

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EP Review: Second Idol’s ‘Defence Mechanisms’ is satisfyingly powerful indie rock with a heart, plus tour news

‘Defence Mechanisms’, the powerful EP by Sydney band Second Idol, is a solid, grounded guitar-driven indie rock’n’roll gem filled with memorable riffs, a hard unapologetic rough hewn edge and scintillating…

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Album Review: BSÍ’s doubled edged ‘Sometimes depressed…but always anti-fascist’ is a dream pop delight with some serrated edges.

There are two sides to this story: Icelandic duo BSÍ have released an album of two sides in ‘Sometimes depressed…but always antifascist’. Side one – sometimes depressed – is a…

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Album Review: CLUSTERSUN’s Avalanche is a magnificent, mesmerising and eviscerating piece of gothic shoegaze magic

‘Avalanche’, the new album from Italian shoegaze behemoths, CLUSTERSUN, clearly sets out its sonic intent from the very beginning. ‘Desert Daze’ is an aural buzzsaw, tilting along a thundering rhythm…

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Album review: Yoo Doo Right – ‘Don’t Think You Can Escape Your Purpose’: fiendishly enthralling and focused

BEGINNING in 2016, Montréal’s Yoo Doo Right have strewn the experimental music world lavishly with fervent, heavenly jams: heavily akin to their eponymous krautrock forefathers, also stirring in a heady…

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EP review: James Heather – ‘Modulations: EP2’: the journey through grief articulated with beauty for solo piano

CONTEMPORARY composer James Heather is set to release his first collection of original works in four years in the shape of Modulations: EP2, which will be out on Coldcut’s other label…

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Album Review: Tori Forsyth’s ‘Provlépseis’ is a collection of the most satisfyingly visceral indie rock anthems you could hear this year

‘Provlépseis’ means predictions in Greek, and in the new album from Tori Forsyth, out through Island Records Australia and UMA, becomes a mysterious label for a blistering, visceral piece of…

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