Album Reviews Archives - Page 91 of 337

Album Review: Nuklear Prophet – Prophecies 11:21

U-TRAX presents some hi-energy old school electro and bass from Los Angeles turntablist and producer Nuklear Prophet, who follows up his recent EP on U-TRAX with the full-length album Prophecies…

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Album Review: Frank Zappa – Zappa/Erie

From the extensive archive, Zappa vault-meister Joe Travers (Dweezil’s drummer) investigated some shows performed in his hometown of Erie, Pennsylvania, and quickly deemed them too good not to release. The…

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Album Review: Aotearoa outfit The Black Seeds deliver depth and sunshine with their long-awaited lockdown album, Love & Fire.

There’s something special about growing up with a band. It seems like only yesterday, we were stumbling across muddy festival fields towards the infectious beats of Keep On Pushing and…

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Review: Spacey Jane overcome the sophomore album jitters with ‘Here Comes Everyone’

Spacey Jane's follow up to the wildly successful 'Sunlight' consolidates their position as Australia's favourite indie band.

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Album Review: The Brian Jonestown Massacre are back with a jangling psychedelic storm in the brilliant ‘Fire Doesn’t Grow on Trees’.

Apparently the first The Brian Jonestown Massacre album in three years has distilled ten tracks from more than 60 recordings made over the years during the COVID lockdowns in singer/songwriter/guitarist…

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Album Review: Noori & His Dorpa Band – Beja Power ! : a desert rock, ethio-jazz, surf guitar scorcher from Port Sudan.

Unearthing ‘what the truth sounds like’ is Ostinato Records’ enduring mission. This year we’ve already been introduced to the raw beauty of Capo Verde’s creole soul with the release from…

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Album Review: Toronto’s Dilettante channel the eighties with an effervescent pop theatricality in their buoyant self titled debut album.

Dilettante‘s self-titled album is a shimmering collection of pure pop vignettes – leaved by a self-deprecatory sense of humour and drama (see the theatrical posturings of fifties-influenced ‘Donna’) but with…

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Album Review: Akusmi – Fleeting Future : pulsating electro-acoustic conversations with Fourth World sensibilities.

‘I want the future now’ pronounced Peter Hammill on one of his late seventies solo outpourings. Scroll forward almost half a century and producer/electronic musician Pacsal Bideau has been exploring…

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Album Review: Sessa – ‘Estrela Acesa’ : re-imagining Tropicalia with seductive Brazilian pop.

You would be wrong to lazily pass off Sessa’s music as laid back or simply chilled. For sure his sound-world is luxurious and something to recline into but drifting off…

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Album Review: Johnny Hunter’s debut album ‘Want’ is a vibrant masterpiece of new wave post punk indie – dramatic, theatrical and full of joy.

Without doubt, to me, Johnny Hunter is one of the most exciting bands coming out of Australia at the moment and their debut album ‘Want’ is a masterpiece of new…

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