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album review: senser ‘sonic dissidence’

  • January 6, 2026
  • Phil Pountney
Senser’s ‘Sonic Dissidence‘ arrives not as a cautious reintroduction, but as a bold and confident reaffirmation of everything the band represent. After more than a decade without a full-length album,…
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News: Anna Thoresen Unleashes Hypnotic New Single ‘VOODOO DOLL’

  • January 5, 2026
  • Simon Lucas-Hughes
New Jersey-raised and now Los Angeles–based, queer musician Anna Thoresen is back with her mesmerising new single, ‘VOODOO DOLL’. The track weaves together infectious pop hooks, the raw intensity of rock,…
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News: Nik Barrell Finds Clarity On The Road With Haunting New Single ‘Lost’

  • January 5, 2026
  • Simon Lucas-Hughes
Brighton-based songwriter Nik Barrell returns with ‘Lost’, a haunting and beautiful new single taken from his EP Almost Home. Written and recorded in his self-built van-studio while travelling alone through Spain…
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News: Olivier Casassus Shines On Beautiful New EP ‘Jour Bleu’

  • January 5, 2026
  • Simon Lucas-Hughes
French composer Olivier Casassus steps into the spotlight with Jour bleu, a debut solo piano EP that distills intimacy, memory, and Mediterranean light into six restrained yet deeply expressive compositions.…
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Live Review & Gallery: Lost Paradise NYE Festival Delivers on Aussie Summer Tradition – 29.12.25, Glenworth Valley NSW

  • January 1, 2026
  • Jess Hutton
One of my favourite things about Australia is our festival culture. Remote bush raves, dusty roads, cheesy doof sticks, no reception and championing Australian acts. This year, I got a…
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Album Review: Alex Ventling – ‘Wavemakers’: New Nordic jazz which soothes and fulfils.

  • December 30, 2025
  • John Parry
Need some cerebral soothing and sustenance then maybe take some time to engage with Trondheim-based jazz musician Alex Ventling’s new album ‘Wavemakers’. Ventling is something of a creative polymath. Besides…
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underworld
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Live Gallery: A Packed Carriageworks Finds Release With Underworld 29.12.2025

  • December 29, 2025
  • Deb Pelser
Launching Finely Tuned’s THE WORKS at Carriageworks, Underworld deliver an immersive, sweat-soaked set that prioritises collective release over spectacle. Mostly obscured behind towering screens, the duo let the music lead, transforming a packed room into a shared moment of movement, colour and catharsis.
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Live Review + Photo Galleries: First-time Lutruwita Live festival goes off with a bang 19.12.2025

  • December 26, 2025
  • Andrew Fuller
The inaugural Lutruwita Festival has been held at The Goods Shed in Hobarton Friday, 19.12.2025. In an era of seemingly shrinking returns in the live music industry, it was refreshing…
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Molchat Doma
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Live Review & Gallery: Molchat Doma, Buzz Kull Bring Coldwave to Enmore Theatre – Gadigal Land/Sydney, 18.12.25

  • December 23, 2025
  • Jess Hutton
It took only minutes to realise the mistake. Opening for Molchat Doma at the Enmore Theatre, Buzz Kull delivered a darkwave and EBM set stripped of gloss and heavy on momentum, the kind that quietly rewrites your internal gig ledger. When Molchat Doma followed, they scaled their coldwave pulse to theatre size without losing intimacy, transforming the room into something closer to a gothic club night than a concert, all stark lines, strobe-lit movement and immersive atmosphere.
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Loud Women Fest
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Live Review: Punk Looks Like Loud Women Fest – Eora Land/Sydney, Crowbar 07.12.25

  • December 23, 2025
  • Jess Hutton
Loud Women Fest isn’t interested in permission or polish. Fiercely DIY and unapologetically women-led, it places femme, trans, non-binary and queer-fronted bands at the centre, not as novelty but as correction. Across punk, shoegaze, pub rock and noise, the day never dipped or diluted. With no barricades, no hierarchy and a constant exchange of gear, sweat and solidarity, the festival functioned as both a celebration and a reminder: this is what punk looks like when community comes first.
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