Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

DVD Review: The Man Who Laughs

  • January 29, 2021
  • Jamie Garwood
Total
43
Shares
0
0
43

MADE in 1928, The Man Who Laughs is a film directed by the famous German Expressionist Paul Leni and his cinematographer, Gilbert Warrenton who had worked on The Cat and the Canary the year previously.

This film is considered an early entry into Universal Studios’ now-famous purple patch of horror movie classics under the stewardship of producer Carl Laemmle. From the studio head down, with art director Charles Hall and make-up guru Jack Pierce collaborating, this film was marked by a defining performance at its centre from Conrad Veidt.

Veidt plays Gwynplaine, a carnival performer whose face is mutilated into a permanent ghoulish grin by his executed father’s royal court enemies. Gwynplaine struggles through life with blind Dea (Mary Philbin) as his companion, and despite his disfigurement Gwynplaine still considers himself unworthy of Dea’s affection.

Conrad Veidt as Gwynplaine

Veidt’s make-up has been acknowledged as direct inspiration for the first portrayal of The Joker in DC Comics’ Batman in 1940 and has become commonplace in screen portrayals down through the years, culminating in Heath Ledger’s Oscar-winning turn in The Dark Knight in 2008).

Featuring moments of humour, tragedy, doomed romance and swashbuckling fight scenes, The Man Who Laughs remains one of the most stylish efforts of the American silent cinema era.

With the era of sound on the horizon and the monsters of Universal Pictures being able to talk come 1930-31 with Bela Lugosi as Dracula and Boris Karloff as Frankenstein’s monster, it’s wonderful to see the richness and detail in the film’s production, from costume to sets to narrative construction.

The film has been restored from Universal’s 4K transfer to Blu-ray and features a score by the Berklee School of Music along with featurettes by horror expert Kim Newman and a booklet authored by Travis Crawford and Richard Combs.

The Man Who Laughs is available now on Blu-Ray from Eureka Entertainment.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
43
Shares
Share 0
Tweet 0
Pin it 43
Related Topics
  • Eureka Entertainment
  • the man who laughs
Jamie Garwood

Previous Article
  • Album Reviews
  • Music

ALBUM REVIEW: Robbie & Mona – ‘EW’

  • January 29, 2021
  • Jamie Garwood
View Post
Next Article
  • Film
  • Film Festival

Sundance Review: In the Same Breath

  • January 29, 2021
  • Rob Aldam
View Post
You May Also Like
Tamra Davis
View Post
  • Backseat Downunder
  • Film
  • Film Festival
  • FIlm Review
  • Music
  • News

Film Review: ‘The Best Summer’ is a bittersweet time capsule of alternative music’s golden age

  • Deb Pelser
  • June 8, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Stereolab's Long-Awaited Return Draws A Packed Crowd At Sydney's Metro Theatre 21.06.2026
    Live Gallery: Stereolab's Long-Awaited Return Draws A Packed Crowd At Sydney's Metro Theatre 21.06.2026
  • Meet: Singer-Songwriter Ella McRobb
    Meet: Singer-Songwriter Ella McRobb
  • Live Review Plus Gallery: Blackwater Holylight, Dark Mofo Festival, Hobart 20.06.2026
    Live Review Plus Gallery: Blackwater Holylight, Dark Mofo Festival, Hobart 20.06.2026
  • Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
    Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
  • Meet: 10 Questions With ... Delilah Bon
    Meet: 10 Questions With ... Delilah Bon
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...

    %d