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EP Review: Fever Rouge – Feed The Villain

  • April 14, 2025
  • Staff Writers
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Brighton’s Fever Rouge return with Feed The Villain, a snarling, sprawling EP that showcases an evocative blend of post-punk, shoegaze and indie-rock.

Opening with the boxing drums and melancholic yet angular riff of the playfully named ‘Shplang’, the opener soon introduces the cool, unaffected yet yearning and pointed lead vocals. Building throughout, the track brings an essence of The Smashing Pumpkins with an undertone of Radiohead. Flowing between moments of psychedelic haze and eventually reaching a intense and swirling haze of fizzing guitar tones, high octane drums and driving bass, the track wastes no time showcasing the bands free and playful genre-bending tendencies.

Elsewhere across the 7 track release, ‘The Mask’ highlights the lighter, melodic and emotive side to the trio. Bringing a King Krule-esque jazz-rock blend, the track is tender yet edgy whilst the title track ‘Feed The Villain’ highlights the bands sense of drive and energy which stylises their live shows. Biting guitar led fuzz, relentless rhythm, and urgent vocal delivery that’s equal parts defiant and impassioned, the track is an intoxicating, swirling yet ultimately alt-rock fuelled frenzy.

Lead single ‘Weatherman’, released ahead of the EP, is an alt-rock juggernaut that swaps some of the dark murkiness of previous EP tracks with a more buoyant catchy songwriting approach. With its scuzzy guitar lines and instantly catchy hook, it’s arguably the most accessible and anthemic track on the record, but beneath its infectious surface lies a pointed narrative—drawing parallels between the myth of Icarus and modern-day climate apathy, Fever Rouge manage to be politically conscious without losing their sense of fun.

The feeling of balance is evident across the 7 tracks – moving between moments of murky reverby grunge, raw unpolished emotion and moments of buoyant indie-rock – playful, evolving musicality contrasted against vexed, pointed lyricism. The band’s ability to shift tone is showcased beautifully on the more contemplative, semi-acoustic, shoegaze influenced atmospherics of ‘Porcelain’ and the driving grunge of the EPs closer ‘The Buzz’.

Lyrically, Feed The Villain explores moral conflict, temptation, and the corrupting forces that permeate society—big themes, handled with sharp insight and just the right dose of self-awareness: “Feed the Villain captures that battle between the devil and the angel on your shoulder, its innocence corrupted, love obstructed and indulgence but not without guilt, there’s too many villains in the world and music is one of the best ways to fight against that. Art has always been power and protest, we hope you enjoy”

Produced by Oliver Hughes, Josh Harrison, and Louis Spanton, the record maintains a raw, live-band feel that captures the sweat and electricity of Fever Rouge’s gigs whilst highlighting some considered and captivating songwriting. The production is tight yet unpolished in the best way—dynamic, punchy, and refreshingly human.

Listen below:

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