Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Film
  • FIlm Review

Film Review: Emily the Criminal

  • August 11, 2022
  • Rob Aldam
Total
0
Shares
0
0
0

America is perceived as the land of opportunity, but that’s only really true for certain people. 45 million Americans have student debt, with each graduate on average owing almost $40,000. That’s great for rich kids, not so much for those without wealthy parents. Having to start you career with a huge monthly outgoing is far from ideal. Just paying your rent and bills, before even thinking about enjoying life. A woman is pushed to the edge in Emily the Criminal.

Emily (Aubrey Plaza) is desperate to get a new job. Yearning to get out of her terrible shared apartment and quit her shitty catering job. To pay off the mounting debts and begin her life proper. Unfortunately for Emily, she has a criminal record, which is a huge stumbling block when it comes to finding rewarding employment. When an opportunity arises to earn some quick bucks buying goods with stolen credit cards, it’s too good to pass up.

Emily the Criminal works thanks to a thrilling central performance from Plaza. The story itself is fairly standard, in many ways, but the additional of a couple of pressing social issues makes it feel vital. Writer/Director John Patton Ford’s feature debut is a powerful indictment of the current system.  About a society where all Americans aren’t equal. Whilst Emily the Criminal might be a little too fatalistic for its own good, there’s much to admire in this impressive drama.

Emily the Criminal is out in US cinemas on 12 August.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Aubrey Plaza
  • Emily the Criminal
  • John Patton Ford
  • Roadside Attractions
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Interview
  • Music

Meet: Apocalyptic Rock ‘N’ Roller Ardz Simonian

  • August 11, 2022
  • Craig Young
View Post
Next Article
  • Track / Video

Track: MyCompiledThroughts Shares Bopping New Single ‘Venom’

  • August 11, 2022
  • Simon Lucas-Hughes
View Post
You May Also Like
Tamra Davis
View Post
  • Backseat Downunder
  • Film
  • Film Festival
  • FIlm Review
  • Music
  • News

Film Review: ‘The Best Summer’ is a bittersweet time capsule of alternative music’s golden age

  • Deb Pelser
  • June 8, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: Kylie Minogue opens her archives for new three-part documentary KYLIE

  • Deb Pelser
  • April 23, 2026
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Premiere: 'Everybody Calls Except You'  - Modern Ideas eloquently lament being infirm and ignored with a deft pop touch
    Premiere: 'Everybody Calls Except You' - Modern Ideas eloquently lament being infirm and ignored with a deft pop touch
  • Track: Uh Huh Her Return With New Single ‘Shook’ And Nocturnes: Redux
    Track: Uh Huh Her Return With New Single ‘Shook’ And Nocturnes: Redux
  • Track: Chelsea Wolfe Begins A New Chapter With Two Atmospheric New Tracks
    Track: Chelsea Wolfe Begins A New Chapter With Two Atmospheric New Tracks
  • Live Review: Belle and Sebastian / Saint Etienne – Piece Hall, Halifax, 21.06.2026
    Live Review: Belle and Sebastian / Saint Etienne – Piece Hall, Halifax, 21.06.2026
  • Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
    Live Review plus Gallery: Headache, Dark Mofo Festival, Odeon Theatre, 18.06.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d