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IFFR Review: Riders of Justice

  • February 3, 2021
  • Rob Aldam
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“If you have a problem, if no one else can help, and if you can find them, maybe you can hire…the A-Team”. Or at least ‘a team’. This ‘gang’ formula is an almost sure-fire cinematic gold in many ways. Take the Mission Impossible franchise, for example. If Ethan Hunt was all alone, it simply wouldn’t work. You need a group of people, all with their own complimentary specialisms, in order to succeed. The same is true of Riders of Justice. This is no solo mission.

Markus (Mads Mikkelsen) is stationed abroad when tragedy strikes. Following an unusual chain of events, his wife and daughter (Andrea Heick Gadeberg) are on a train when an explosion rips through their carriage. The loss of his partner hits him hard, but the tough man lacks the adequate emotional responses to comfort the teenager. When he’s approached by a data analyst, Otto (Nikolaj Lie Kaas), who has a theory that it wasn’t an accident, he jumps at the chance for revenge. Accompanied by the eccentric Lennart (Lars Brygmann) and highly strung Emmenthaler (Nicolas Bro), the quartet embark on their quest.

Riders of Justice is first and foremost great fun. Director Anders Thomas Jensen weaves together a film which is full of dark and acerbic humour. There’s a remarkable chemistry between the group. It’s the beating heart which propels the action forward. It’s eminently watchable and while the action is often short and sweet that’s not really the point. Riders of Justice is a ripping yearn and a marvellously geeky buddies comedy.

Riders of Justice screens at International Film Festival Rotterdam.

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Related Topics
  • Anders Thomas Jensen
  • Andrea Heick Gadeberg
  • IFFR
  • international film Festival Rotterdam
  • Lars Brygmann
  • Mads Mikkelsen
  • Nicolas Bro
  • Nikolaj Lie Kaas
  • Riders of Justice
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

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