It’s been nearly a decade since Alison Moyet last headlined in Australia, but tonight at Sydney’s Darling Harbour Theatre, the synth-pop icon makes her long-awaited return in commanding fashion. The audience—ranging from diehard fans to curious newcomers—leans in as Moyet steps onto the stage beneath a wash of indigo light, her presence alone enough to hush the room.
This is ‘KEY Live 2025’, a world tour shaped around her latest release KEY, a retrospective of reimagined classics and overlooked gems from a 40-year career that has shifted from post-punk rawness to refined electronic soul. On this album, Moyet doesn’t just revisit the past—she reclaims it. “Love Resurrection” is given a fresh coat of synth sheen, while deep cuts like “Filigree” and “Is This Love?” land with new urgency.
Before her solo stardom, there was Yazoo. Formed in 1981 with ex-Depeche Mode member Vince Clarke, Yazoo (or Yaz, as they were forced to go by in the US) blended Clarke’s glacial synths with Moyet’s raw, bluesy contralto—an unlikely pairing that rewrote pop’s emotional possibilities. Their debut Upstairs at Eric’s delivered the stark brilliance of “Only You” and the dark pulse of “Don’t Go,” songs that still resonate in tonight’s set with eerie relevance.
Her voice—rich, textured, and soaked in lived experience—is as formidable as ever. Between songs, Moyet is relaxed, funny, and sharp, sharing wry stories that trace her journey from Basildon misfit to global star.
In an era where nostalgia tours often lean into karaoke, Moyet offers something braver—a reclamation of sound and story. She’s not chasing the past; she’s rewriting it in real time. And the result is nothing short of thrilling.
Images Deb Pelser
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