The Hordern Pavilion feels less like a traditional concert hall tonight and more like a neon dreamscape pulled from the glossy pages of a hyper-pink pop fantasy. Lush stage design, saturated lighting and a crowd buzzing with anticipation set the tone before a single note is played. When Peach PRC finally arrives, she does so with theatrical confidence, descending straight into the opening number from a gleaming dance pole positioned stage right as you face the stage, flanked by two dancers who move with razor-sharp precision. The reaction from the sold-out room is instant and electric.
It is a bold opening statement, one that frames the entire show as both pop concert and performance art. Peach PRC leans into the themes threaded through her forthcoming debut album Porcelain, weaving together sensuality, vulnerability and a knowing sense of humour. The pole routine for the first song, delivered with playful swagger, feels like a living nod to “Miss Erotica”, her love letter to erotic performance and the showgirls who shaped her early adulthood.
Before Peach PRC takes the stage, Maude Latour warms the room with a set that fizzes with indie-pop confidence. Her songs arrive in bright, kinetic bursts, balancing introspective lyricism with the sort of widescreen choruses that ripple through the Pavilion like a shared secret. Latour moves across the stage with infectious energy, building a connection that turns the early crowd into a fully engaged choir by the time her set closes.





When Peach PRC returns the focus to centre stage, the show evolves into something larger and more cinematic. The production is lush without feeling overblown: shimmering synths, glittering lighting rigs and choreography that flows seamlessly between moments of intimacy and spectacle. It mirrors the sonic palette of Porcelain, which draws from euro-pop synth lines and early-2000s pop grandeur while remaining rooted in her confessional songwriting.
Backseat Mafia has witnessed Peach PRC’s evolution across previous eras, from the bedroom-pop intimacy that first introduced her to audiences to the camp-charged world of Manic Dream Pixie. Tonight’s performance makes it clear she has stepped into a new phase entirely. The storytelling is sharper, the stagecraft more assured, the scale undeniably bigger.
Throughout the night, Peach PRC balances theatricality with a genuine sense of connection. By the final stretch, the Hordern Pavilion feels less like an audience and more like a community gathered inside Peach PRC’s glitter-charged universe. It is loud, euphoric and unapologetically pop. If Porcelain marks the most transformative chapter in her artistry, tonight’s performance proves she is more than ready to inhabit it.
Images Deb Pelser















