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Live Review Plus Gallery: Blackwater Holylight, Dark Mofo Festival, Hobart 20.06.2026

  • June 20, 2026
  • Arun Kendall
Feature Photograph: Arun Kendall
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The magnificent Odeon Theatre was awash in deep red light as Blackwater Holylight quietly took the stage, easing the audience into their distinctive blend of doom, shoegaze and psychedelia. Dispensing with unnecessary theatrics, the Los Angeles quartet allowed layers of guitar, understated rhythms and ethereal harmonies to establish the mood from the outset.

Their sound unfolded patiently, built on dense textures and hypnotic repetition rather than sharp contrasts. The guitar and keyboard ebbed and flowed through waves of distortion while the rhythm section provided a steady foundation, creating an enveloping backdrop for the band’s intertwined vocal lines.

The Odeon’s acoustics suited the expansive arrangements, giving space for the heavier passages to resonate while preserving the more delicate melodic elements. The performance maintained a consistent atmosphere throughout, drawing the audience into the band’s immersive sonic world.

There was little between-song banter, with Blackwater Holylight preferring to let the music speak for itself. The result was a set that flowed seamlessly from one piece to the next, its emphasis firmly on mood and texture rather than spectacle.

As part of Dark Mofo’s eclectic program, Blackwater Holylight offered a performance that complemented the festival’s nocturnal aesthetic, presenting a carefully crafted soundscape that sat comfortably within the intimate surrounds of the Odeon Theatre.

For all its sonic density, there was an undeniable warmth at the heart of the performance. Beneath the doom-laden riffs and swirling psychedelia sat melodies of startling beauty, reminders that Blackwater Holylight are ultimately interested in grace as much as weight. Their music inhabits the liminal space between despair and transcendence, where darkness offers not oblivion but catharsis.

As part of a festival built around winter’s longest shadows, Blackwater Holylight delivered a performance that embraced darkness without succumbing to it. Instead, they illuminated it from within, proving that even the heaviest music can possess extraordinary tenderness.

It was a spellbinding set that felt perfectly attuned to the ethos of Dark Mofo: immersive, uncompromising and quietly transformative.

Feature Photograph and Gallery: Arun Kendall

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Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

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