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News: Helsinki Risers Drug Store Raid Release Debut Album ‘Background Music for Family Arguments’

  • December 9, 2024
  • Simon Lucas-Hughes
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Drug Store Raid shine on the debut album debut album, Background Music for Family Arguments. This 35-minute genre-defying opus is a celebration of individuality, offering a soundtrack for those who have always felt out of place but are finally ready to embrace it. Through their exhilarating fusion of post-punk, indie-dance, jazz-funk, noise, and no-wave, the band delivers a fresh perspective on timeless themes of identity, rebellion, and self-expression.

The album’s twelve tracks create a gritty, satirical exploration of modern life, tackling topics as varied as mental health struggles, societal absurdities, and even the peculiar mundanity of sewers. Drug Store Raid’s playful, often biting lyrics are paired with a sound that refuses to be boxed in, drawing inspiration from an eclectic mix of icons like Talking Heads, The Birthday Party, Swans, and Madonna. The result is a collection of songs that oscillate between sharp humor, youthful rebellion, and moments of surprising introspection.

Lead vocalist Johan K. describes the album as “a satire of life’s absurdities,” a sentiment that shines through tracks like ‘Vi Är Finnjävlar’ which explores the complexity of Finnish identity with equal parts pride and irony, and ‘I Wanna Be a Hipster’, a cheeky dissection of urban subcultures. The humour continues in ‘Fashion Fashion’, a surreal fantasy about robbing an H&M with a banana, while tracks like ‘Americana’ and ‘Suzy’ offer a dreamy, wave-like departure into more introspective territory.

Amid the wit and experimentation, Background Music for Family Arguments also has its darker moments. ‘Gutter’, the album’s standout track, is a no-holds-barred anthem of rebellion. With its aggressive riffs and apocalyptic lyrics about God, violence, water parks, sharks, and bleach, it captures the band’s ferocious energy and their knack for blending the surreal with the visceral. “This isn’t a post-punk happy tune,” guitarist Sami L. adds, “it’s death—wrapped in a water park nightmare.”

Despite the diversity of styles and tones, the album maintains a cohesive spirit, tied together by its raw energy and the band’s commitment to exploring the joys and struggles of not fitting in.

Listen below:

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Simon Lucas-Hughes

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