Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Music
  • Track / Video

See: Dialect – ‘Flame Not Stone’: humanist, wayward and open ambient experimenta

  • March 10, 2021
  • Chris Sawle
Andrew PM Hunt, aka Dialogue, photographed by Heather Swift Hunt
Total
1
Shares
0
0
1

WE’VE covered Dialect before in recent weeks, this outfit being the wholly otherly, seductive, beguiling, blissful and unusual project of Liverpool’s Andrew PM Hunt.

That was a month or so ago now; it was the title track from his forthcoming album, Under~Between, and we found it all kinds of trippily wondrous, noting at the time it was “a delightfully wayward cross-pollination of acoustic and synthetic ensembles with human voice, synth swoops and chatterings, so much more.

“It’s like the blissful soundtrack to the most psychedelic foreign animation you half-remember from childhood, unexpected sounds and melodies, bright tones swapping with strings, whispered voices, playful soundscapes. Pretty wow, actually.”

(We recommend you go catch up with that as well, you’ll find the suitably dreamscape video here, it’s so worth feeding into your brain.)

Today he’s released another single, “Flame Not Stone”, which is an equally off-kilter delight; impressionist vocal skitting seems to occupy a similar hallucinatory, experimental vocal space to Ian William Craig; pianos flourish; glowing, open electronica soothes; there’s touches of the aesthetic of Penguin Cafe Orchestra and the shining, optimistic bliss of Editions EG. Lushly lovely.

The eleven tracks of Dialect’s album, Under~Between, began as chamber pieces commissioned by the new music group Immix Ensemble; an opportunity that Andrew says gave an opportunity for him to enter a new and fertile phase. Writing for woodwinds, strings, piano and synthesizer, he focussed more on melody. 

The collaborative nature of the work soon expanded beyond the Immix Ensemble to his own home – one he shares with 15 others, mainly also Liverpool scene creatives.

There’s very much still that humanist element of speech but, in place of the rapturous monologues that filled 2017’s Loose Blooms, there’s a more blissful chatter of communion and connection, a stillness. It’s a very singular vision.

Each piece was pruned delicately from its performance and reassembled by Andrew; in his words, he ”tend[ed] the garden.”

“I wanted to create something where there was a constant dialogue between the natural and technological, the mythical and the magical,” he says.

“Under~Between explores the limits of human knowledge and control; it gently reminds us of the transitional state of our surroundings and indeed ourselves.”

Dialect’s Under~Between will be released by RVNG Intl on March 19th, digitally and on vinyl; a portion of the proceeds will benefit Refugee Women Connect, an organization working to build a safe life in the UK for all women in the asylum seeker and refugee community. Pre-order your copy here.

Follow Andrew PM Hunt on Twitter and Instagram; and RVNG Intl. on those same socials, here and here respectively.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
1
Shares
Share 0
Tweet 0
Pin it 1
Related Topics
  • Andrew PM Hunt
  • Dialect
  • experimental
  • experimental video
  • Immix Ensemble
  • RVNG Intl
Chris Sawle

Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.

Previous Article
  • Album Reviews
  • Music

ALBUM REVIEW: Snowpoet – Wait for Me; Chamber folk-jazz duo return with absorbing album

  • March 10, 2021
  • Staff Writers
View Post
Next Article
  • Exclusive Mixes
  • Music
  • Premiere

Exclusive: Backseat Mafia Takeover Mix: BTRAX label boss Rob Malone

  • March 10, 2021
  • Jim F
View Post
You May Also Like
Courtney Barnett
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Courtney Barnett brings Creature of Habit home to Sydney Opera House 6.11.2026

  • Deb Pelser
  • November 6, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: The Argon Room conjure a dark, glistening requiem in the long shadow of Bowie on debut ‘Algorithms For Happiness’

  • Arun Kendall
  • November 5, 2026
Less Than Jake
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Less Than Jake turn the Enmore Theatre into a ska-punk party with The Aquabats! and The Suicide Machines 5.11.2026

  • Deb Pelser
  • November 5, 2026
View Post
  • Music
  • News

News: Peter Hook & The Light take Joy Division’s ‘Unknown Pleasures’ and ‘Closer’ on a French tour in March/April 2027

  • Arun Kendall
  • November 5, 2026
Katseye
View Post
  • Backseat Downunder
  • Music
  • News

News: KATSEYE add third and final Melbourne show as WILDWORLD TOUR demand explodes

  • Deb Pelser
  • November 5, 2026
midlake
View Post
  • Backseat Downunder
  • Music
  • News

News: Midlake return to Australia for first tour in 13 years

  • Deb Pelser
  • November 5, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Quivers unveil jangle pop delight ‘Bottle The Nervous’ ahead of Australian, UK and European dates.

  • Arun Kendall
  • November 4, 2026
Christine and the Queens
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Christine and the Queens returns with disco-charged new single and 2027 album on the way

  • Deb Pelser
  • November 4, 2026
View Post
  • Music
  • News

News: Amy Jones Celebrates Power Of Connection On ‘Next To Me’

  • Simon Lucas-Hughes
  • November 4, 2026
DIIV
View Post
  • Backseat Downunder
  • Music
  • News

News: DIIV reveal headline shows for Sydney, Melbourne & Adelaide for February 2027

  • Deb Pelser
  • November 4, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • News: KATSEYE add third and final Melbourne show as WILDWORLD TOUR demand explodes
    News: KATSEYE add third and final Melbourne show as WILDWORLD TOUR demand explodes
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
  • Album Review: The Argon Room conjure a dark, glistening requiem in the long shadow of Bowie on debut 'Algorithms For Happiness'
    Album Review: The Argon Room conjure a dark, glistening requiem in the long shadow of Bowie on debut 'Algorithms For Happiness'
  • News: Peter Hook & The Light take Joy Division’s ‘Unknown Pleasures’ and ‘Closer’ on a French tour in March/April 2027
    News: Peter Hook & The Light take Joy Division’s ‘Unknown Pleasures’ and ‘Closer’ on a French tour in March/April 2027
  • Live Gallery: Less Than Jake turn the Enmore Theatre into a ska-punk party with The Aquabats! and The Suicide Machines 5.11.2026
    Live Gallery: Less Than Jake turn the Enmore Theatre into a ska-punk party with The Aquabats! and The Suicide Machines 5.11.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d