Posts in tag

indie albums


Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Mumble Tide – ‘Everything Ugly’: a short, sweet-as mini-album burst from the insouciant Bristolians on their way to massive things

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Album review: Penelope Isles – ‘Which Way To Happy’: Jack and Lily line up a second set of ambitious, technicolour pop psych

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Peter Silberman has never been shy about laying his heart out for all to see on his albums with The Antlers. From Hospice to Burst Apart to Familiars his etheral vocals and dramatic musical arrangements show a musician not satisfied with the simple. Silberman wants to make his mark with each song. Scorched tales of …

The magnificent cinematic sound of elbow returns with the release of a new album – “Little Fictions”. To me, elbow are the Ken Loach of indie music – beautifully poignant vignettes of ordinary life in Britain, expressed with a weary narrative that celebrates the potential of individual kindness and wonder in a world of cynicism …

Mauro Remiddi appeared from a hazy cloud of synthwave and dream pop back in 2012 under the name Porcelain Raft with the lush Strange Weekend. It was this wonderful mix of Cocteau Twins big sweeps and early Depeche Mode. It was a breath of fresh air amid the vacuous space known as chillwave that was …

Dutch Uncles return with a triumphant fifth album, their fourth on the Memphis Industries label and first since 2015’s “O Shudder”. It’s remarkable that the Marple band (Duncan, Pete, Robin and Andy, formerly also Daniel) are still making their delightfully catchy and quirky brand of indie pop which has been labelled as “math pop”, “art …

Captured Tracks is proud to unveil this ten track album of gorgeous, whimsical, heartfelt and romantic songs of ‘loss, loneliness and reconnecting’. For fans of the Angel Olson and Hope Sandoval and the Warm Inventions sound. Molly Burch’s debut LP is the perfect soothing Vegas cocktail to dull a broken heart and accompany the dustbowl …

It seems that in the past few years we have been awash with surfer-rock/surfer-pop albums, seemingly become the music du jour for those who feel slightly more fashionable to still listen to Mumford and Sons (and discovered Urban Outfitters). Others, however, still yearning for those halcyon slacker days before we had to get full-time jobs. …

I first came across London-based four piece Clock Opera back in 2012 when they donned the main stage at Sheffield’s tramlines festival. Their blend of electronic and indie pricked up my ears immediately, and I remember thinking how much they stood out from so many other bands around at the time. Their debut album ‘Ways …

Nadine Khouri The Salted Air There is a delicate quality to Nadine Khouri’s voice when you are first introduced to her; a hushed, bewitching quality that is equally earnest as it is powerful. It’s a contradiction to read, that I am well aware, but it is such a juxtaposition which one would believe lead previous …

It’s always good to have Mark Eitzel back. There will always be some who hanker after the particular dimensions and textures that American Music Club brought to his songs. But his solo work has given him a chance to explore different sounds and collaborate around and about a pretty consistent songwriting style. Given that probably …

It seems that Brian King and David Prowse have gone full Hooters(the band not the chain store.) They’ve turned their DIY, punk-inspired anthems into full-on roots rockers. From 2009s Post-Nothing clear through to 2012s breakout Celebration Rock, Japandroids have cultivated this caffeinated, punk-meets-Springsteen-meets-Replacements sweat and blood-stained love letters to getting drunk, falling in love, punching …