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Indie

6855 posts
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See: Ups And Downs release sunshine-infused video for their glorious cover of ‘Everybody’s Got To Learn Sometime’

  • November 10, 2020
  • Arun Kendall
Backseat Mafia recently reviewed the brilliant collection of covers ‘…Another Country’ from Brisbane legends Ups and Downs: songs that influenced their shimmering jingle jangle sound from the eighties. They have…
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EP Review: Kitten Heel – I Love You Too, Man

  • November 9, 2020
  • Arun Kendall
‘I Love You Too, Man’, the new EP from Wollongong band Kitten Heel is sublime. Sweeping waves of synth and driving rhythms underpin cool and studied vocals resulting in a…
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Premiere: Jordan Paul releases new video for the charming and melancholy ‘Archetype X’

  • November 8, 2020
  • Jim F
If you fell for Canadian singer-songwriters ‘Strange’, which turned into something of a lockdown anthem, we’ve got good news for you. We’re premiering new visuals for his latest single, ‘Archetype…
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PREMIERE: Nancy Gaffield and The Drift – ‘Song Of The Shingle’: Kent’s High Weald evoked in music and poem

  • November 8, 2020
  • Chris Sawle
THERE’S been a little upswell in recent times of interesting and brilliantly evocative collaborations exploring the spoken word and the poetic, and how that plays against music. Slowly unfolding atmospheres,…
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Album Review: The Finalists release their warm and enveloping debut album First

  • November 7, 2020
  • Arun Kendall
Sydney supergroup The Finalists have just released their debut album ‘First’ and it is a delight. Nine tracks that feature the most jangling and sparkling of guitars – six strings,…
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Premiere: Nicholas Krgovich & Friends release new single ‘Giving and Receiving’

  • November 6, 2020
  • Jim F
Vancouver singer-songwriter Nicholas Krgovich has been releasing records for several years now, both under his own steam and as a member of No Kids, P:ANO and Gigi. Moone Records are following…
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Album Review: The Cribs – ‘Night Network’: their best yet?

  • November 6, 2020
  • James Kilkenny
Replete with unparalleled displays of riff-age. Riddled with lyrical honesty. An uncompromising garage-punk production. Each of The Cribs’ releases has honed these and other facets with increasing skill and, as…
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Album Review: Young Jesus – ‘Welcome to Conceptual Beach’

  • November 6, 2020
  • Staff Writers
Saddle Creek 's emo-jazz-rock band presents its most accomplished album, a spiritual journey driven by a swirl of enthralling riffs
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TRACK: The Dawdler – ‘Sign Of Growth’: a sad, cruciverbalist shoegaze rush

  • November 6, 2020
  • Chris Sawle
THE DAWDLER is the low-key musical alias of Tyneside singer-songwriter John Edgar, who describes himself on his Twitter profile as “Ambient pop. Sad.” He’s more than made us sit up…
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TRACK: The Antlers – ‘Wheels Roll Home’

  • November 5, 2020
  • Staff Writers
IT COMES as a surprise that The Antlers are possibly on track to a new album, more than six years after the last one. Especially after the frontman, Peter Silberman,…
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