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Say Psych: Album Review, II by Heavy Cosmic Kinetic

As the title suggests, although in the cosmic scheme of things nothing is certain, II is the second release from Californian five-piece Heavy Cosmic Kinetic. Like the first, self titled,…

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Album Review: Night Beats – Who Sold My Generation

Night Beats have always put out music that sounded as if it had been locked away into a time capsule back in 1969 and had been recently unearthed for all…

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Say Psych: Playlist 1/2016

Here’s the first playlist of the year. Mostly new stuff that I been turned on to, but a couple of oldies too. Hope you enjoy it. Wet Grave by…

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Say Psych: Album Review, Temporary Infinity by Haikai No Ku

If you were to do a word cloud of my album reviews so far this year the words ‘dark’, ‘dense’, ‘intense’ and ‘dystopian’ would surely be writ large across it.…

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Say Psych: Album Review, Monographic by The Oscillation

A favourite album of mine is one that you may not have heard of, Stranglers bassist JJ Burnel’s 1979 solo project ‘Euroman Cometh’. I originally bought it way back when because…

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Album Review: Ty Segall – Emotional Mugger

Surprise, a new Ty Segall album. I bet you weren’t expecting that, were you? The fuzz rock wunderkind has kept a pretty steady habit of putting out two or three…

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Say Psych: Album Review, Paradise by Pop. 1280

The planet is in a pretty fucked up state and we’ve only got ourselves to blame. That may seem obvious to some, but given that Pop. 1280’s position is that…

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Say Psych: New Music, Burnout Beach by Wooden Indian Burial Ground

By all accounts there is something special coming down the line from Wooden Indian Burial Ground on EXAG Records later this month, and what a tasty taster we have here…

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Say Psych: Album Review, Different Sun by Electric Eye

Norwegian quartet Electric Eye are one of those bands who have been on my radar for some time. I very much enjoyed the band’s debut album ‘Pick-up, Lift-up, Space, Time’…

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Say Psycht: Album Review, Blezard by Cavalier Song

This is the first review that I have written since David Bowie died. This is relevant because he had a huge impact on how I listen to and understand music.…

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