Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews

Album Review: Dread FM – Who Killed The Vibe?

  • August 1, 2024
  • Staff Writers
Total
0
Shares
0
0
0

Genre-jumping rapper Dread FM has made a strong impression since bursting onto the scene, receiving early support from BBC Radio 6 Music and Radio X. Now, with the release of his hotly anticipated debut album ‘Who Killed The Vibe?’, the solo artist offers a body of work full of brilliant, varied musical ideas, expressive performances, and high-octane energy.

Opening with the trumpet samples of ‘The Hit’, Dread’s pointed, urgent flow soon takes over, displaying the rhythmic and energetic style that drives the album. Gradually introducing punching beats and the deep, fuzzy live bass that characterizes Dread’s sound, the track continues to build a thick and intriguing sound, as comparable to classic hip-hop as it is to Gorillaz.

Setting the tone for the album, the title track and standout ‘Who Killed The Vibe?’ showcases the full range of Dread’s potential. Opening with a choppy sample, tight swinging beats, and a thick, fuzzy bass, the track progresses through swelling wah-wah guitar tones under Dread’s rapping.

As the track progresses, it enters a psychedelic mid-section where Dread offers some unexpectedly tuneful vocals. The track then shifts again into an epic, grinding, bit-crushed bass line that gradually morphs into punching drums, developing into the track’s explosive final section. Exercising the punk side of his repertoire, Dread shouts vexed vocals through a wall of distortion. A track that shifts tempo, changing from old-school inspired hip-hop to its gutsy punk, the title track ‘Who Killed The Vibe?’ is an unbelievable highlight that truly showcases what is so special about Dread FM.

Elsewhere on the album, ‘(space)’ brings an ambient psychedelic-rock-hip-hop crossover, while the previous single ‘Runner’, featuring Bones Ate Arfa, provides one of the album’s more accessible points with a catchy riff to die for and an authentic sense of drive and direction through its rock-hop instrumentation.

Later in the eight-track release, ‘Whats Good’ offers one of the more uplifting moments on the album with danceable energy and a surprisingly catchy vocal melody in its chorus. Closing track ‘Time To Shine’ presents a mystical synth-led soundscape, broken up by biting guitar tones. Dread’s vocals remain ever pointed and expressive, driving the track forward with a sense of purpose.

An album that brings authenticity, musical depth, and a hugely enjoyable and effective sense of purpose, ‘Who Killed The Vibe?’ highlights Dread FM as a special talent and one to watch as he continues to develop.

Listen below:

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Dread FM
  • Who Killed The Vibe?
Staff Writers

Previous Article
  • Gallery
  • Live Review
  • Music

Live Review: Frank Turner & The Sleeping Souls – Brudenell Social Club, 15.07.24

  • August 1, 2024
  • Huw Williams
View Post
Next Article
  • Music
  • Track / Video

Track: Scruffy Bear – Pity Party

  • August 1, 2024
  • Craig Young
View Post
You May Also Like
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Marlophone’s debut– ‘Remembered Adventures in Widescale’ is a stunning cinematic debut

  • Arun Kendall
  • August 14, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Lawrence English – ‘The Rest Is My Ghost’: An enthralling ambient discussion from a composer who continues to push onwards.

  • John Parry
  • August 13, 2026
View Post
  • Album Reviews
  • Music

Say Psych: Album Review: Upupayāma – Honesty Flowers

  • Le Crowley
  • August 13, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Hana Stretton – ‘tiarn’: An ambient folk moment that needs to be cherished.

  • John Parry
  • August 10, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Loma Suyo –‘Paloma’ : Latin infused folktronica which brings guaranteed refreshment and a warm glow.

  • John Parry
  • July 31, 2026
View Post
  • Album Reviews

Album Review: ‘Works Live’ – Emerson, Lake & Palmer

  • Phil Pountney
  • July 22, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Jad Atoui – ‘It Will Take Forever’: A challenging merger of electronics, noise and ambience from the Lebanese sound sculptor.

  • John Parry
  • July 22, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Akusmi – ‘Terra Incognita’: A lush sonic expedition into exotic rhythms and sultry sax melodies.

  • John Parry
  • July 10, 2026
View Post
  • Album Reviews
  • Music

Say Psych: Album Review: Magic Castles – Realized

  • Le Crowley
  • July 6, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Ferg’s Imaginary Big Band – ‘The New Atomic’: Full powered punk jazz dynamism that refuses to follow the script.

  • John Parry
  • July 5, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: Cavetown releases deeply personal new single ‘Big Strong Man’
    Track: Cavetown releases deeply personal new single ‘Big Strong Man’
  • News: Angine de Poitrine’s wonderfully strange rise continues with sold-out US tour & UK and EU to follow
    News: Angine de Poitrine’s wonderfully strange rise continues with sold-out US tour & UK and EU to follow
  • Track: The Night Packers relive a footy day like no other on 'Cumberland Oval 1975'
    Track: The Night Packers relive a footy day like no other on 'Cumberland Oval 1975'
  • Track: Mastodon confront loss and devastation on new single ‘In The Ruins’
    Track: Mastodon confront loss and devastation on new single ‘In The Ruins’
  • Track: SHANI arrives with purpose on high-energy debut ‘YALANJI GIRL’
    Track: SHANI arrives with purpose on high-energy debut ‘YALANJI GIRL’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...
%d