Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music

ALBUM REVIEW: Liela Moss – ‘Who the Power’: pop that takes one last dance as the world ends

  • August 6, 2020
  • Chris Sawle
Total
0
Shares
0
0
0

OVER the past couple of years and one very warmly received LP, Duke Spirit member and Bella Union solo artiste Liela Moss  – watch your vowel placement with care, folks – has carved herself something of a niche for a strong and dark pop draught, heady with intensity, 80s’ melodicism, courage and a complete willingness to pick away at the sometimes painful wounds of her subject matter.

She releases her second for Bella Union, Who The Power, this Friday, August 7th.  And it follows faithfully her remit of drawing what positivity we can from a pretty screwed-up and negative tableaux: “If you’re going to deconstruct the modern psyche,” she says, “you might as well dance to it.”

And there’s no doubting the strength of her intent on opener “Turn Your Back Around”, the video you can watch down below the words. Big tribal tom polyrhythms skitter in under widescreen synth washes, Liela intoning with power over all.

Watch her, hooded and screened, give it free and flexing movement in the ballet studio; and is it only me, or is that surging chorus breathing new life into a bruised and starcrossed pop sound we’ve not heard since Pet Benatar’s “Love is a Battlefield”? “I didn’t think I would miss you in this life,” she pays off. You’d be quaking were it you in her sights.

She says of the song, which she released as a final taster for the album: “It’s almost game over for the planet. I’m enjoying one filthy, upbeat, downhearted close-your-eyes-and-dance by-yourself pop song and offering it as a parting gift to Mother Earth. 

“It’s a lament, at an urgent bpm.”. 

Let’s raise a final glass as the band plays one last song.

“Watching the Wolf” is a heavy synth grind, dark and sexy, threatening. It concerns the intensified struggle of modern life: “Take, take you down / By pulling myself the front.” She isn’t afraid to drop the C-bomb at her nemesis. Watch that line get sung out when she’s out gigging, in the AfterThis.

“Atoms at Me” rocks; yearns; seeks. “I need to break out in the open,” Liela sings, and boy ain’t we all felt that this summer. Crawl those walls. Synths pulse brightly and guitars shriek in the distance. It sets up for the deep, arch-gothic drama of “Always Sliding” which, to me, has a real Russian thing. It lets Liela’s vocal soar through the deep cloudbank and find light above.

“White Feather” steers back towards the sound of Bella Union’s boss Simon Raymonde’s former home, 4AD, with big, effects-pedal guitar shimmer, a perfect springboard for her to fly on the chorus. “The predator is you,” she glides. Note, as with “Watching the Wolf”, the invocation of dreamstate archetypes, the darkness within a whisper of where you might be right now.

Corresponding with “Watching the Wolf” in a different way is the “Battlefield”. It’s dark and down round your hips; it seems to rise from that exact moment when the hurt of a love begins to crystallise as new power, the rejection of pain; that first snarl of rebirth. It’s big and unashamedly so; it’s gonna kill it live (Yes, I am yearning for the tremendous catharsis of the live show; aren’t you?).

“Nummah” sees Liela right on the top of that amazing vocal power she’s gifted with. She’s proper vulnerable here. Does she know her subject enough to give them her trust? All the while a very British circa ‘81 synth chatter folds in around her, shadowy, tipping towards distortion, pacing it out.

“Suako” is rockist, proud, has a really European vocal melody in that middle interval: exotic, seductive, and it breaks into full graceful flight; and hear closer “Stolen Careful” and fail to be moved, I dares ya; it drops you back so quickly you have to quickly consider and feel just where she’s taken you. It ebbs like mercury and you’re back on shore suddenly without that dark light as a guide.

 If you had Liela’s voice you could sing any sort of troubles away. In that she stands for us, is in some ways our soothsayer; she tells stories, scoops them from her soul, says it hard and true. 

Liela Moss’s Who The Power is released by Bella Union on digital, CD and limited yellow vinyl on Friday, August 7th. Place your order at the Bella Union shop, here.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • album review
  • Bella Union
  • Indie
  • Liela Moss
  • Synthpop
  • The Duke Spirit
Chris Sawle

Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.

Previous Article
  • Album Reviews
  • Music

Say Psych: Album Review: Autotelia – I

  • August 6, 2020
  • Le Crowley
View Post
Next Article
  • Music
  • News

NEWS: The Wytches Announce New Album ‘Three Mile Ditch’, release video

  • August 6, 2020
  • Staff Writers
View Post
You May Also Like
Charli XCX
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Charli XCX Swaps Brat Chaos For Guitars On New Single Rock Music

  • Deb Pelser
  • May 8, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Aotearoa/New Zealand’s Ringlets release new single ‘Hard Evidence’ ahead of UK/European tour

  • Arun Kendall
  • May 8, 2026
View Post
  • Backseat Downunder
  • Music
  • News

News: Swervedriver Return To Australia To Perform Raise In Full

  • Deb Pelser
  • May 8, 2026
The Church
View Post
  • Backseat Downunder
  • Music
  • News

News: The Church Announce A Psychedelic Symphony With 30-Piece Orchestra

  • Deb Pelser
  • May 8, 2026
Kate Moth
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Too Late To Go Outside Continues kate moth’s Rise In Sydney’s Indie Underground

  • Deb Pelser
  • May 8, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Sydney Alt-Pop Artist Liliana de la Rosa Returns With Cinematic New Track

  • Deb Pelser
  • May 8, 2026
Okay Maidza
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza Dives Into Afrobeat And House On New Single Pressed

  • Deb Pelser
  • May 8, 2026
Angus and Julia Stone
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Angus & Julia Stone Announce New Album Karaoke Bar And Release Title Track

  • Deb Pelser
  • May 8, 2026
Grace Turbo
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere
  • Track / Video

Premiere: Grace Turbo Unpacks Emotional Fallout On New Single Bleed Again

  • Deb Pelser
  • May 7, 2026
Westlife
View Post
  • Backseat Downunder
  • Music
  • News

News: Westlife Announce First Australian And New Zealand Tour In Two Decades

  • Deb Pelser
  • May 7, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
    Track: Simon Robert Gibson emanates a ray of gentle sunshine in his new single 'Afterdark'
  • Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
    Premiere: Lunar Twin announce new album 'Night Jaguar' and unveil lead single, the rich and enigmatic 'Disappear In The Earth'.
  • Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
    Album Review: Ana Roxanne – ‘Poem 1’: A stunning revelation in tender, honest song by this singular ambient musician.
  • News: Westlife Announce First Australian And New Zealand Tour In Two Decades
    News: Westlife Announce First Australian And New Zealand Tour In Two Decades
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...

    %d