Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music

Album Review: Ought – Room Inside the World

  • February 15, 2018
  • James Humphries
Total
0
Shares
0
0
0

On their third album, and first for Merge records, Ought augment their anxious, itchy alt-rock with a wider palette of instrumental colours, balancing the agitated highs of earlier records with moments of emotional numbness and tired acceptance.

The woozy piano chords which introduce ‘Into the Sea’ establish the introspective mood from the outset. Singer Tim Darcy wearily intones ‘I see the stain in the people now,’ the resignation of his vocals weighing heavily on an increasingly active rhythm section of acidic, circuitous guitars and jittering drums. Conversely, the arpeggiated synth figures of album centrepiece ‘Desire’ set an appropriately wistful tone for the songs description of transience and vulnerability, a 70-piece choir lending a hymnal quality as the vocals climb to the impassioned chorus of ‘Desire, desire, it was never gonna stay.’

The taut nervosa of earlier albums is still very much in evidence – see the central section of ‘Take Everything,’ where alarm call guitars bark over a juddering, breezeblock groove. Or ‘Disaffection,’ where a corroded saw wave abruptly severs the flow and precipitates a series of traumatised guitar twitches. The familiar Ought touchstones – Sonic Youth, Talking Heads, Echo and the Bunnymen – have been supplemented, not replaced. Propulsive single ‘These Three Things’ winks at Kate Bush, Stereolab synths creep into the familiar thickets of jangling guitars, a keening coda of ghostly Rhodes and moaning feedback collapses the garrulous rant of ‘Disgraced in America.’

‘Disaffection is holy, it makes me feel alive’ asserts Darcy repeatedly on one track, ‘Demarcation wears me thin…does me in’ form the concluding lyrics of another. On ‘These Three Things’ the chorus consists of the same anxious, increasingly urgent question: ‘Will I Hear My Soul?’ Despite the increased stylistic breadth of their music Ought’s world is clearly as disorientating and hostile as it ever was; raging against it can feel just as cathartic as it ever did. ‘Room Inside the World’ suggests that sometimes it can be just as valid a response to feel worn down by it.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Alt-Rock
  • Indie
  • indie albums
  • merge records
  • Ought
James Humphries

Previous Article
  • Album Reviews
  • Music

Say Psych: Album Review: Mint Field – Pasar De Las Luces

  • February 15, 2018
  • Le Crowley
View Post
Next Article
  • Live Review
  • Music

Live Review / Gallery: Glen Hansard – London, Royal Festival Hall 9/2/18

  • February 15, 2018
  • Staff Writers
View Post
You May Also Like
View Post
  • Album Reviews
  • Music
  • News

Album Review: Babyshambles Live At KOKO

  • Huw Williams
  • November 12, 2026
View Post
  • Gallery
  • Live Review
  • Music

Live Review: Wasia Project: Leeds Beckett SU 07.11.26

  • Huw Williams
  • November 12, 2026
Death Cab For Cutie
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Death Cab for Cutie return to Sydney’s Hordern Pavilion after seven years 12.11.2026

  • Deb Pelser
  • November 12, 2026
View Post
  • Album Reviews

Album Review: Mi Von Ahn – Delta Veins

  • Simon Lucas-Hughes
  • November 12, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Bilal Nasser – ‘Every Martyr Is A Universe’: A heart-wrenching post rock/post classical work which asks the deepest questions.

  • John Parry
  • November 12, 2026
MARCO ANASTASIO
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere

Premiere: Marco Anastasio makes a moving debut with ‘From U (For U)’

  • Deb Pelser
  • November 12, 2026
Charlotte Plank
View Post
  • Backseat Downunder
  • Music
  • News

News: Charlotte Plank reveals two exclusive Australian club shows for January 2027

  • Deb Pelser
  • November 12, 2026
Gia Margaret
View Post
  • Backseat Downunder
  • Music
  • News

News: Gia Margaret locks in Australian debut tour

  • Deb Pelser
  • November 11, 2026
LUCI
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: LUCI bares her teeth on ferocious new single ‘DAWG!’

  • Deb Pelser
  • November 11, 2026
Bobby Lees
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: The Bobby Lees channel punk and hip-hop influences on latest release

  • Deb Pelser
  • November 11, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Foo Fighters play Accor Arena as a poignant connection to Beaconsfield comes back into focus 10.11.2026
    Live Gallery: Foo Fighters play Accor Arena as a poignant connection to Beaconsfield comes back into focus 10.11.2026
  • News: YOASOBI announce first Australian arena shows for March 2027
    News: YOASOBI announce first Australian arena shows for March 2027
  • News: Metric, Broken Social Scene and Stars join forces for massive Australian tour in 2027
    News: Metric, Broken Social Scene and Stars join forces for massive Australian tour in 2027
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
  • Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
    Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d