The Breakdown
Introducing the eagerly awaited CD release of a highly sought-after Punk classic. This expanded 2CD edition presents the complete ‘Slam’ album along with rare demos from a proposed second studio album, including two unreleased tracks. Additionally, it marks the debut on CD of a four-track session recorded for the iconic John Peel show in 1977. The accompanying booklet showcases the original LP artwork, a treasure trove of previously unseen photos from the era, along with press clippings, gig ads, and insightful liner notes chronicling the brief but impactful journey of this remarkable group.
Originating in Birmingham as Zipper Kids in 1976, the band swiftly rebranded as The Suburban Studs after just two gigs. Notably, they were among the early signings to the independent Pogo Records, later promoted by the major label WEA Records, embodying the punk ethos. Releasing two singles and an album within a year, a rare feat in the punk scene, they initially included saxophonist Steve Heart, who departed to form the Neon Hearts due to the instrument’s mismatch with their evolving sound.
Despite their lively performances throughout 1976, featuring a more glam appearance, the Studs gained momentum after their London debut at the 100 Club in August ’76, supporting the Sex Pistols and The Clash. However, their image evolved to a punk aesthetic by October ’76, headlining over The Clash in Birmingham. Frequent gigs at renowned venues like the Marquee, Vortex, Roxy Club, and Barbarellas, as well as supporting acts such as AC/DC and The Runaways, failed to propel them to success.
Even with exposure from a John Peel session in December 1977 and a punk rock special on ATV, The Suburban Studs couldn’t overcome the mediocrity of their music and lacklustre album reviews. Public relations dwindled to sporadic gossip, including instances of punk violence against the singer, a prevalent issue at the time. Despite the antics of their fans, such as a risqué display involving naked breasts and fire extinguishers and disruptive behaviour at their Thames Poly gig, the band failed to gain traction, eventually fading from the punk radar due to negligible sales.
It’s interesting as a part of Birmingham’s punk history and should appeal to those fans who never got hold of their original vinyl releases.
Slam is released today 12th Jan 2024 and available directly here from Cherry Red Records
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