Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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THE DAWDLER is the low-key musical alias of Tyneside singer-songwriter John Edgar, who describes himself on his Twitter profile as “Ambient pop. Sad.” He’s just signed to London indie Akira Records and by way of marking that partnership has just released a lovely (and admittedly, sad) little tune entitled “Lava Lamps” in tribute to his …

THE LOST Highway Tapes is the project of a serendipitous encounter for Fabyl Records’ Nick Faber, who was out on a crate-diggin’ exploration of the American South. He was in the south of Florida when he came across a weatherbeaten busker bringin’ the blues on a steel guitar, tapping straight into the main source. He …

SURPRISE CHEF are a Melbourne collective cookin’ up a fine spread of secret instrumental grooves and sketches, and they’re laying the table to invite you over for their second outing for Mr Bongo, Daylight Savings. It’s the follow-up to their debut set, All News Is Good News: an album initially privately pressed, the run sold …

PLYMOUTH, the city that gave us Sir Francis Drake playing bowls before nipping off to defeat the Spanish Armada, is launching a shot at our jack in the shape of new, soaring indie five-piece The Native, who are releasing their debut single “Chasing Highs” today.  Have a listen below; it’s a big-hearted indie rocker that …

WAX MACHINE are a name you really ought to scribe on your albums wants list if you like your guitars, pyrotechnic; your spectrum, fully rainbow; your flutes, trilling. They released their debut LP, Earthsong of Silence on Beyond Beyond is Beyond in March, and it swirls with the psych colours and neckerchiefs of a London welcoming Hendrix to …

WAKEFIELD’S Long Division Festival – now that’s a lovely little (and these days, really not so little) event in the West Yorkshire musical calendar.  It was founded back in 2011 by the fanzine Rhubarb Bomb; festival director Dean Freeman cashed in his NHS pension to fund a happening that celebrated the pool of musical talent …

AS UNEXPECTED developments in the world of eerie electronica go, the announcement of a new album for winter 2020 by Sheffield game-changers Cabaret Voltaire has to be up there.  And it’s true: with Richard H Kirk the sole remaining member, the Cabs have announced that Mute will be releasing Shadow Of Fear on November 20th. …

FULL of surprises, Mark Everitt’s Eels have just dropped an unexpected new single entitled “Baby Let’s Make It Real”, the result of recent sessions at the band’s studio in Los Feliz, California. It’s the first new music to emerge by the band since the release of their most recent album, The Deconstruction, two years ago. …

IT’S entirely conceivable, I suppose, that you won’t know Beth Hirsch by name, but if you were at any kind of laidback all-back-to-mine or small hours session or summer blissout from summer 1998 on, it’s certain you know her glorious, honeyed tones. Why so? Twas Beth that gave her vocal grace to that absolute peak …

JEREMY TUPLIN is a London-based singer-songwriter who, after a clutch of self-released EPs, first hoved into the wider collective psychedelic-folk eye on the back of last year’s whimsical, introspective and occasionally wonderfully absurdist Pink Mirror long player. Last week he released Violet Waves, a second LP, on which he’s schemed to turn it up a …