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Backseat Downunder

4300 posts

New releases from Australia and New Zealand

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Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • March 27, 2026
  • Deb Pelser
Liliana de la Rosa
Sydney-based Liliana de la Rosa leans fully into atmosphere on ‘High Like Heaven’, a track that doesn’t so much unfold as it drifts, slow and deliberate, into something more immersive. Her second release…
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Bachelor Girl
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Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • March 27, 2026
  • Deb Pelser
Bachelor Girl revisit ‘Treat Me Good’ with a renewed sense of purpose, teaming up with Jessica Mauboy to reshape the track into something both familiar and newly resonant. Originally released in 1998, the track has…
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EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • March 27, 2026
  • Arun Kendall
We had the privilege of premiering Big League‘s single ‘Neverlandfill’ towards the end of last year and the band has now delivered an EP entitled ‘Windanswagger’, filled with the pulse…
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EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • March 26, 2026
  • Arun Kendall
The Night Packers are literally one of those The Marrickville Sound bands I always go on about – based around the very same inner city suburb of Sydney and still…
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TKAY
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Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • March 26, 2026
  • Deb Pelser
Tkay Maidza doesn’t ease back in on ‘Must Be’. The track opens like a warning shot and follows through on it, snapping into motion with a jagged, high-voltage energy that feels…
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Split Enz
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News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • March 26, 2026
  • Deb Pelser
The Forever Enz Tour is gathering pace, with Split Enz announcing additional New Zealand dates and a brand new Brisbane show in response to growing demand. What began as a tightly mapped…
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Stahr
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EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • March 26, 2026
  • Deb Pelser
There’s a particular elasticity to memory that STAHR tap into on BLIP, their debut EP that treats emotional upheaval less as permanence and more as distortion. What once felt seismic now flickers in…
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Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • March 26, 2026
  • Deb Pelser
Some songs don’t just exist, they haunt the collective memory, looping endlessly through car radios, dance floors and the internet’s more chaotic corners. VAN PLETZEN and SOSSI’s take on ‘Maia-hee’ knows exactly…
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News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • March 26, 2026
  • Deb Pelser
This June, Lydia Lunch returns to Australia not to gently revisit the past, but to drag it, still twitching, back into the light. Marking ten years since the death of Alan Vega, Lunch…
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Snail Mail
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Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • March 26, 2026
  • Deb Pelser
There’s a moment in Snail Mail’s new single ‘Tractor Beam’ where everything seems to lift, not in triumph, but in escape. It’s a feeling that runs through the track like a current, a quiet…
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