Slayyyter doesn’t creep back into the conversation. She kicks the door open in platform heels and a bassline that feels like it’s been lifted straight from a neon-lit fever dream. Fresh off two tent-stretching, sweat-drenched sets at Coachella, the self-described pop provocateur is bringing her third album WOR$T GIRL IN AMERICA to Australia, with dates locked for Sydney, Brisbane and Melbourne.
Backseat Mafia caught her tearing through Groovin The Moo back in 2023 and, if there was any doubt lingering in the margins, it didn’t survive the first chorus. The hype isn’t just justified. It’s undersold.
Born Catherine Grace Garner, Slayyyter has always operated in that sweet spot between internet chaos and precision-engineered pop. She came up through SoundCloud, where her early releases built a cult following that felt less like a fanbase and more like a digital underground movement. The 2019 self-titled mixtape lit the fuse, Troubled Paradise(2021) sharpened the aesthetic, and Starfucker (2023) blew it out into widescreen—glossy, synthetic, and just a little bit dangerous.
Now, Worst Girl in America lands like a recalibration. Still club-facing, still wired for chaos, but there’s a new sense of control threading through it. Punk edges rub against house rhythms, industrial textures collide with pop instincts, and somewhere in the middle she’s reshaping the idea of what her version of “pop vocalist” even means.
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