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Posts by tag

album review

600 posts
  • Album Reviews
  • Music

ALBUM REVIEW: Olivier Alary and Johannes Malfatti – ‘u,i’: beautifully humanist post-classicism, listening to the world talk to itself

  • September 21, 2020
  • Chris Sawle
ISDN, fibre-optics, the web. Sharing platforms, Skype, Facebook, Zoom; instantaneous transmission, the world shrunk to a pebble’s dimension. Our modern world, and especially the broader swathe of this fractured year…
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ALBUM REVIEW: A Certain Ratio – ‘ACR Loco’: taut Mancunian future funk and effortless electronic pop

  • September 20, 2020
  • Chris Sawle
“THIS album is a culmination of everything we’ve ever done,” says A Certain Ratio’s Jez Kerr. “We’ve got some real momentum at the moment.”  He’s talking about A Certain Ratio’s…
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ALBUM REVIEW: Various Artists – ‘Sunrise On The Blues: Sun Records Curated By Record Store Day Vol. 7’

  • September 20, 2020
  • Chris Sawle
SAM PHILLIPS’ Sun Records imprint is arguably the first truly great label of the modern era. It was founded in Memphis in February 1952 by Sam, Alabama born, who lived…
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Album Review: Napalm Death – Throes of Joy in the Jaws of Defeatism

  • September 19, 2020
  • Craig Young
There are a few bands out there who have the years behind them yet are still rising to the challenge and blowing expectations. 2015’s Apex Predator – Easy Meat certainly did that…
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Album Review: The Electorate – ‘You Don’t Have Time To Stay Lost’

  • September 19, 2020
  • Arun Kendall
We’ve already met and fell in love with Sydney band The Electorate after the release of their single ‘Decades in a Day‘. If life is a series of unrelenting miseries…
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ALBUM REVIEW: Big Bill Broonzy – ‘The Midnight Special: Live In Nottingham 1957’: music of truth delivered with power

  • September 18, 2020
  • Chris Sawle
BIG BILL BROONZY – he’s one of those names you hear in hallowed tones, whispered and discussed on forums and in the music press, alongside such company as Robert Johnson, Mahalia…
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PREMIERE: Free Country – ‘The Life Of Riley’: wistful, essential lofi from his hometown basement

  • September 17, 2020
  • Chris Sawle
FREE COUNTRY is the indie pop project of LA’s Jason Ribadeneyra, a man with an ear for a wistful, low-key melody delivered with weary truth in his voice. Tomorrow he…
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ALBUM REVIEW: Osees – ‘Protean Threat’: John Dwyer trips us further into prog-tinged fuzz garage

  • September 15, 2020
  • Chris Sawle
JOHN DWYER’S Osees. I mean, they’re an absolute force of nature; a vivacious, fiery, disciplined, fun, piledriving force. If you’ve never seen them, by jiminy you need to: kinda meh…
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EP REVIEW: HAAi – ‘Put Your Head Above The Parakeets’: a quartet of hard future tronica floor-fillers

  • September 14, 2020
  • Chris Sawle
HAAi  is the future tronica smithy of London-based, Australian-born sound forger Teneil Throssell. She’s taken a meandering journey to become who she is musically now, moving through a myriad of…
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ALBUM REVIEW: El Ten Eleven – ‘Tautology’: ambitious, thrilling post-rock triple set from LA duo

  • September 14, 2020
  • Chris Sawle
YOU have to admire the scope and ambition of Los Angeles postrock duo El Ten Eleven, who are about to release their eighth full-length LP, Tautology, on September 18th. You…
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