IDM
Throwing Snow – ‘Lithics’: an organic, midtempo call to euphoric IDM prayer
ROSS TONES, the Northern Englishman who’s made his way to a rural retreat in the South West via the capital, is regarded as something of a mainstay over at Houndstooth, the label that’s spiralled out of London’s fabric club. He’s just followed up last year’s The Folly of Pangloss EP, which he released under the …
Track: Matt Robertson – ‘Kalimba’: a grand, chattering, acid sweep
GROWING up listening to a mixture of Jean-Michel Jarre and Jimmy Smith, Matt Robertson certainly had a good early primer in the weirder beauties of music; big-screen synthesiser worlds, the grooviest, cinematic organ jazz (you mean you haven’ heard Jimmy Smith’s The Cat?) After university, Matt matriculated into the world of the recording studio. He’s worked …
Album review: Mapstation – ‘My Frequencies, When We’: playful, immensely thoughtful tronica
My Frequencies, When We may not flaunt its wares with garish insouciance; but like so many of the albums that end up welded to your turntable, it keeps on enticing you back for more exploration, further interaction. It occasionally raises a grin and equally occasionally, an eyebrow; it’s varied in its approach yet thoroughly cohesive. It’s an immensely thoughtful record
SEE: Sébastien Guérive – ‘Omega II’: off-world, glitchy soundscapes
FRENCH composer and producer Sébastien Guérive has a really skin-shiveringly delightful way with an icy, glitchy techno landscape – as shown by his new single, “Omega II”, which has a beautiful monochrome video accompanying – watch below. Let’s meet Sébastien: he’s based in Nantes. After studying the cello, he turned to musical creation using the …
ALBUM REVIEW: Madlib – ‘Sound Ancestors’: beats genii’s wide-eyed, wide-open odyssey
Madlib’s Sound Ancestors, produced by Four Tet, is the beats genii’s wide-eyed, wide-open odyssey. Like a fractal pattern, the deeper you focus and the more you pull out, the more you see
TRACK: This Morn’ Omina release “1.000 Cuts (Lingh Chi)”
Belgian tribal industrial; three words that will undoubtedly pique your interest or have you wondering “what on earth is that?” But Belgian collective This Morn’ Omina rightfully summarise their output well with those three words and head of the release of their album, The Roots of Saraswati, have unveiled their newest single. Infectiously groove-laden, embracing …
NEWS: Cabaret Voltaire announce ‘Shadow Of Funk’ EP and longform drone sets; hear ‘Billion Dollar’
SHEFFIELD’S deep proto-industrialists Cabaret Voltaire still have so much to say, some 48 years on from first beginnings. Shadow Of Fear, released November gone, was the Cabs’ first new album in more than two decades; but in a world this darkly dystopian, how can the time not be absolutely ripe for Richard H Kirk and …
NEWS: Clark returns with March album for Deutsche Grammophon: hear ‘Small’
CLARK, the electronica voyager who came hurtling into our lives for Warp at the turn of the century and quickly decided his mission was to empty the bones of you – an offer in equal parts thrilling and worrying – is returning at the end of March with his ninth studio album, Playground In A …
SEE: Nick Schofield – ‘Ambient Architect’: modular retro-futurism full of light and grace
NICK SCHOFIELD is a Montréalais composer in love with modular synths, and who has a new album, Glass Gallery, coming out early next month, composed entirely on the legendary Prophet 600. And it’s very beautiful; uplifting, even, music for a bright future we’ve yet to realise. By day he’s a member of singer-songwriter Devon Welsh‘s …
EP REVIEW: Minotaur Shock – ‘Qi’: exhilarating and complex IDM for Bytes
Freed from the tyranny of production choice, Qi is Minotaur Shock’s freest and most beguiling outing since back in his Melodic days