Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music

Album Review: Wild Meadows – Wild Meadows

  • February 25, 2018
  • Arun Kendall
Total
0
Shares
0
0
0

The debut album from Melbourne’s Wild Meadows is, quite simply put, a promise delivered. Last year we enthusiastically reviewed their debut single ‘Feel the Noise’ and observed it was a ‘classic shoegaze anthem redolent with swirling vocals, waves of sparkling guitar and gob-smacking choruses grander than the Simpson Desert’. The self titled album – available from 3 March – indicates this was no flash in the pan.

The single, ‘Feel the Noise’, of course, is magnificent:

From the opening assault of ‘First Exit’ with its full frontal Stone Roses guitar attack and an insistent, driving bass to tracks like “These Days” with its Johnny Marr-esque chiming guitars and jangly goodness, this album displays a band full of creativity and new ideas while paying tribute to their musical roots. Yes, there is no doubt the album is shoegaze daubed with streaks of dream pop and psych, but Wild Meadows are able to break past these labels to create their own unique sound.

Fourth track, ‘Fever’, for example recalls Curve and Garbage with co-vocalist Jessica Lawrence’s disinterested snarling tone over the rumbling aggressive rhythm and wild unhinged guitars of James Ross and Dylan Bird. ‘Stay For A While’ – my personal favourite – is awe-inspiring expansive dream pop anthem, uplifting, romantic yet melancholic and a chorus to make you swoon. Ross takes over the vocals in ‘Evergreen’, a classic indie pop song from the same genetic code as The Byrds through to classic Creation and Postcard Records bands, elevated by gorgeous harmonies.

Jangly guitars and Lawrence’s vocals epitomise ‘Sunshine’ – elements of Grace Slick and sixties psychedelia. The album finishes altogether too soon with ‘Uzi’, a gorgeous dream pop farwell underpinned by a military beat but with Wild Meadows’ trademark anthemic choruses that quicken the pulse.

Wild Meadows play with ethereal melodies, layered harmonies and guitars that range from full blown wah-wah-pedalled distorted wildness to arpeggiated subtlety and reverb-soaked waves. The album is a bold and ambitious debut that delivers.

Produced, recorded and mixed by Paul ‘Woody’ Annison (Black Cab, Rocket Science) and mastered by William Bowden (The Church, Gotye), Wild Meadows’ self-titled album is set for release on Friday March 2, 2018 on vinyl and digitally. You can pre-order the album here.

You can also listen to the new single ‘First Exit here:

Wild Meadows will be launching the album in Australia at the following venues:

Saturday 7th April – Yah Yahs, Melbourne VIC
Friday 20th April – Oxford Art Factory, Sydney NSW

Wild Meadows’ current lineup consists of Jessica Lawrence(vocals), James Ross (vocals/guitar), Dylan Bird (guitar), DonovanPill (bass) and drummer Peter Giannoukas, who joined the band subsequent to this recording.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • dream pop
  • Garbage
  • indie rock
  • Johnny Marr
  • Psych
  • shoegaze
  • The Stone Roses
  • Wild Meadows
Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

Previous Article
  • Track / Video

EP: Dorian- Just What Is It That Makes Dorian So Different, So Appealing?

  • February 24, 2018
  • Matt H
View Post
Next Article
  • Track / Video

EP: Woodes – Golden Hour

  • February 25, 2018
  • Arun Kendall
View Post
You May Also Like
Cat and Calmell
View Post
  • Backseat Downunder
  • Music
  • News

News: Zara Larsson adds Cat & Calmell to Australia & NZ Midnight Sun shows

  • Deb Pelser
  • September 28, 2026
Ben Folds
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Ben Folds under the stars at North Head 26.09.2026

  • Deb Pelser
  • September 28, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: New Zealand’s Echomatica release the dream-noir cinematic epic ‘Atomic Girl’

  • Arun Kendall
  • September 28, 2026
Eric Church
View Post
  • Backseat Downunder
  • Music
  • News

News: Eric Church locks in Australian arena debut for March 2027

  • Deb Pelser
  • September 28, 2026
Tina Growls
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tina Growls unleash ‘Star Witness’ ahead of debut album

  • Deb Pelser
  • September 27, 2026
Agnes Obel
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Agnes Obel mesmerises the Sydney Opera House 27.09.2026

  • Deb Pelser
  • September 27, 2026
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Review + Photo Galleries: The Drones cap off 2026 Australian Tour at The Odeon, Hobart 25.09.2026 with The Mess Hall in tow

  • Andrew Fuller
  • September 27, 2026
View Post
  • Gallery
  • Live Review
  • Music

Live Review: Roger Taylor – Manchester Opera House – 25.09.26

  • Huw Williams
  • September 26, 2026
Body Type
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Body Type turned up the muscle on Tally at Melbourne’s Tote 24.09.2026

  • Staff Writers
  • September 25, 2026
yama
View Post
  • Backseat Downunder
  • Music
  • News

News: Japanese pop artist yama makes Australian debut this October

  • Deb Pelser
  • September 25, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Review: Roger Taylor - Manchester Opera House - 25.09.26
    Live Review: Roger Taylor - Manchester Opera House - 25.09.26
  • Live Gallery: Agnes Obel mesmerises the Sydney Opera House 27.09.2026
    Live Gallery: Agnes Obel mesmerises the Sydney Opera House 27.09.2026
  • Meet: Where did that come from? Midge Ure (Ultravox, Visage and Live Aid) talks to us about his unfinished business and his treasured legacy.
    Meet: Where did that come from? Midge Ure (Ultravox, Visage and Live Aid) talks to us about his unfinished business and his treasured legacy.
  • Track: New Zealand's Echomatica release the dream-noir cinematic epic 'Atomic Girl'
    Track: New Zealand's Echomatica release the dream-noir cinematic epic 'Atomic Girl'
  • Live Review + Photo Galleries: The Drones cap off 2026 Australian Tour at The Odeon, Hobart 25.09.2026 with The Mess Hall in tow
    Live Review + Photo Galleries: The Drones cap off 2026 Australian Tour at The Odeon, Hobart 25.09.2026 with The Mess Hall in tow
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...
%d