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Backseat Mafia
Backseat Mafia
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10433 posts
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See: Attawalpa – ‘Please Take Care’: Prince-like suave grooves herald London producer’s new EP

  • April 6, 2021
  • Chris Sawle
SUAVE groove; deep, profoundly bass vocal hooks, a smooth and implicit funk that crosses over into indie with a twanging hook – is that your bag? If so, please gather…
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News: Moby gives classical polish to ‘Porcelain’ plus new album and documentary coming in May

  • April 6, 2021
  • Tania Ogier
Moby announces new album Reprise, which will give a classical makeover to much-loved highlights from the musical pioneer’s 30-year career. Together with the Budapest Art Orchestra, new orchestral and acoustic…
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See: Jade Jackson – ‘6FT Changes’: a Californian country lament for the disconnect of social distancing

  • April 6, 2021
  • Chris Sawle
JADE JACKSON, the husky-voiced country singer-songwriter who’s been making waves with her particular caress of the country form since Gilded, her 2017 debut for ANTI-, has dropped a softly haunting…
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Premiere: Incognosci share new video for track Perfect Specimen

  • April 5, 2021
  • Craig Young
We are absolutely delighted to be premiering on Backseat Mafia the new video from Brazilian death metal band Incognosci. ‘Perfect Specimen’ is taken from their latest album “A Biography Of…
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Album review: Christine Ott – ‘Time To Die’: French composer returns to Gizeh for a modern compositional masterclass

  • April 5, 2021
  • Chris Sawle
Without a doubt one of the most potent voices in modern composition today, Christine Ott is as happy to push right out into dark, even industrial-infused experimenta as she is to play a straight bat with absolute confidence in the deeper classical tradition and the wider avant-garde palette; she can do it all, if she chooses, and when she breathes the ondes Martenot into life; there really is no one to touch her
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See: Muck Spreader drop the shadowy dub riot of ‘Take Flight’ ahead of a July EP; there’s a June tour, too

  • April 5, 2021
  • Chris Sawle
A CHAOTIC, riotously fun force of nature which – if you believe the myth – came about after lightning struck, Muck Spreader are back with a shadowy, gloriously dub-jazz didactic…
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Album review: Bill MacKay and Nathan Bowles – ‘Keys’: pull up a pew for bluegrass instrumental delight

  • April 5, 2021
  • Chris Sawle
You know what the best thing about Keys is; for all its intimacy, the focus wholly on how the two players and their instruments mesh,a real joy in creation rings through. William Tyler, Black Twig Pickers, Jack Rose fans; please come on over and pull up a pew
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Track: Glass Animals release new version of ‘Heat Waves’ ft. Iann Dior

  • April 5, 2021
  • Tania Ogier
The heat continues to rise for Glass Animals as single Heat Waves gets a dynamic rap rework from next-gen US star Iann Dior (emotions, gone girl). The original track continues…
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See: Theo Alexander’s ‘Bright-Eyed Hunger’: London composer targets the dream state with his dazzling minimalism

  • April 4, 2021
  • Chris Sawle
LONDON pianist Theo Alexander likes to loop, to evoke the dreamstate, to explore the beauty of harmony and melody and repetition. He’s an album coming up on Toronto’s lovely Arts…
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Track: Hear Jim Stewart’s ‘Dead Sea’: the composer responds to a Paul Nash painting, taken from the forthcoming ‘Stills 01’ music and painting project

  • April 4, 2021
  • Chris Sawle
STILLS 01 is the first, beguiling three-track release from new imprint String and Tins Recordings that looks to marry the disciplines of music and fine art, insomuch as each piece…
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