The walls of the Enmore Theatre don’t shake tonight—they thrum. Lit in soft hues, the sold-out room is a dream in freeze-frame, as two generations of melancholia collide: shoegaze trailblazers Slowdive and Brooklyn’s jangly dream-pop darlings Beach Fossils.
First up, Beach Fossils. It’s their first time back on Australian soil since 2023, and they glide into their set with the effortless cool of a band that’s survived—and defined—New York’s indie underbelly. Dustin Payseur leads the charge, his vocals soaked in reverb as “Down the Line” draws out cheers from a crowd who clearly know every word. There’s a brightness to their sadness, the kind that feels like a long-lost mixtape found under your teenage bed. Their set is full of shimmering guitar lines and that signature slacker-meets-sentimental charm.
Then comes the main event. Slowdive step out to a roar, their presence calm but magnetic. Rachel Goswell and Neil Halstead stand like ghosts of dream-pop past, drawing waves of noise into delicate shapes. It’s rare for a band three decades deep to still sound like the future, but that’s Slowdive’s trick—they make time dissolve.
They swing into ‘Avalyn’ and then ‘Shanty’ which is the opening track of the new album, ‘Everything is Alive’ it swells into cinematic form. Nick Chaplin’s basslines hum with a quiet authority, grounding the swirl of guitars with a pulse that’s steady, melodic, and quietly essential to the band’s immersive sound. The older tracks such as ‘Star Roving’ and ‘Souvlaki Space Station’ are met with a reverent hush. No banter, just sound. Christian Savill’s guitars swirl like smoke, while Simon Scott’s drumming provides an anchoring pulse to the ethereal drift. You feel each track rather than hear it—eyes closed, head tilted, heart half-broken.
Formed in 1989 and buried by Britpop just as they were finding their feet, Slowdive’s story has always been one of resurrection. In the mid-90s, shoegaze became a punchline—derided by critics and cast aside in favour of louder, brasher Britpop anthems. But time has softened that cynicism. Slowdive’s self-titled 2017 album re-established them as a vital creative force, not a legacy act. And with 2023’s ‘Everything Is Alive,’ they’ve sparked a full-blown renaissance, especially among younger fans who pack out the Enmore tonight. Slowdive’s resurgence isn’t just a tale of critical reappraisal—it’s a full-blown generational handover, with TikTok acting as the unlikely bridge. The platform has become a digital sanctuary for Gen Z, who are discovering the band’s atmospheric soundscapes and emotionally charged lyrics. Tracks like ‘When The Sun Hits’ have become anthems for a new audience, soundtracking videos that delve into themes of love, loss, and mental health.
Onstage, Slowdive don’t chase nostalgia—they bend it, stretch it, and make it shimmer anew. And tonight, at the Enmore, they sound like they never left.
Slowdive play one more show at the Enmore Theatre before moving on to Brisbane. Tickets HERE.
Images Deb Pelser.
No Comment