Former Labour MP and acclaimed author of The Last Train – A Family History of the Final Solution, Peter Bradley has made a striking and unexpected transition into music. Under the moniker Brandes, he has released his debut album, The Distance Between Dreams—a body of work that resonates with the same emotional weight, moral clarity, and historical consciousness that have marked his political and literary life.
The album is an intimate and personal collection of songs exploring themes of love, loss, memory, and identity. It’s not a side project or a vanity release, but a fully realized artistic statement that reveals another dimension of Bradley’s identity. Through Brandes, he steps beyond the roles of legislator and historian, turning instead to music as a means of emotional and narrative expression.
The name Brandes itself carries significant meaning. It is a family name lost during the Holocaust, reclaimed now as a tribute to the lives and stories erased during that time. For Bradley, adopting it is both an act of remembrance and a form of artistic reclamation. This deeply rooted sense of history and identity infuses every track on the album, lending the music a quiet gravity and authenticity.
Musically, The Distance Between Dreams is steeped in the traditions of singer-songwriters like Leonard Cohen, Nick Drake, Joni Mitchell, and Bob Dylan. Brandes’s voice is measured and introspective, and the production is spare, allowing the lyrics to take center stage. His early singles leaned toward folk and spoken word, but the full album introduces richer textures and broader influences. ‘From The Higher Ground’ for example, is one of the most politically charged tracks, combining indie-rock instrumentation with lyrical urgency.
Each song is a meditation, whether on the fragility of relationships or the weight of inherited trauma. There’s a poetic sensibility at play, drawn from the same well that shaped his writing and public service. Yet this is not music of detachment—it’s personal, raw, and emotionally resonant.
Listen below:
No Comment