Posts in tag

modern classical


Album review: Resina – ‘Speechless’: a record that takes cello and choir into the apocalypse

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Album Review: Forest Walker – UV Sea

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What makes for the best small labels? A clear identity, enthusiastic curation, independence and endurance are good for starters. Well Difficult Art And Music (DAAM) gives you all of these plus heaps of creative ambition. Focusing steadfastly on the experimental and specialising as they say in ‘short-run, research-orientated, art-objects’ DAAM releases come as music tapes, …

Having put himself on the Backseat Mafia radar last month with the devastatingly beautiful debut single ‘Dusk’, Piers Thibault’s forthcoming EP has been the subject of repeated listening when we’ve been in search of some gorgeous piano-driven instrumental music to take us out of ourselves for 15 minutes or so. It’s very good at that. …

If you’re reading this, we bet there have been times when you’ve wanted to completely lose yourself in a piece of music. French artist Piers – last name Thibault – is great at producing pieces that evoke that all-consuming longing. His debut EP, Ire, isn’t even 13 minutes long, but it’s an ideal refuge. If …

KAROLINA REC is the darkly immense talent behind the Resina name, and she’s about to release her third album for FatCat’s modern and post-classical imprint, 130701, entitled Speechless; and as we dive deeper, we’ll see that that title was chosen with acuity. It’ll leave you, often, lost for words. It’s a hell of a record, …

There’s something so emotive about the Piano as a solo instrument, and Zoon van snooK, the Bristol based, Barcelona born producer and musician has taken it and written a handful of beautifully reflective and immersive songs for his new album Se•pa•ra•ción, out via the celebrated Lo Recordings on 14th May. We’re more used to hearing …

Occasionally I’ll come across an album that stops the world around me when I listen to it. The music committed to that record holds a type of special magic that can’t really be explained or dissected, as any attempt pales in comparison to the art itself. What some hear as “noise”, I hear as the …