Posts in tag

the marrickville sound


‘Moral Outage’, from Magnetic Heads, is a sparkling ensemble of eighties-influenced, synth-based tracks that resonate with a darkness and refined intelligence. And when I say eighties, I mean the good stuff. Intertwining threads draw in the synth giants of Heaven 17, Cabaret Voltaire, New Order, The Beloved and even Devo, while the delicate intricacies of …

Infinity Broke are a band that does not go gently into the night: their new album ‘Your Dream My Jail’ is an excoriating, driven, thunderous slice of post-punk cake that is angular, studded and visceral. Guitars wail and caterwaul, drums crash like waves on an exposed coast and singer Jamie Hutchings (formerly of nineties indie …

Sydney’s Imperial Broads, on the strength of their new single ‘Control’, are a perfect amalgam of day-glo bubble gum pop and cutting, excoriating gritty indie rock with shabby leather jackets. It’s a delightful mixture: a jangling , ringing, shimmering guitars, muscular wandering bass and celestial layered harmonies with a pop sensibility and euphoric afterglow. The …

We are very honoured to premiere the new single ‘What You See Is What You Get’ from Sydney’s brilliant Magnetic Heads: a gloriously rich synth-injected eighties-influenced motorik blast. Singer/songwriter Des Miller has the velvet rich, deep and resonant vocals of Ian Curtis, David Bowie or Iggy Pop, and the band has the syncopated rhythms and …

Infinity Broke, with a breath of fresh air forcefully expelled, cleared out our collective cobwebs with their last single ‘Death of a Tourist’ (premiered by us in May). We are again honoured to be able to premiere their follow up single ‘Dragon’s Breath’: a track with slightly less propulsion but just as much impact. Highly …

Qualified optimism never sounded so melancholic and measured than in the beautiful debut single from The Petrov Affair, a Sydney trio consisting of Murray Lee (Vocals, Keyboards, Guitar), Bruce Thomas (Guitar, Vocals) and Glenn Cone (Bass). Members were formerly in the band The Lee Three. ‘Back On Top’ has a stately and yearning piano riff …

I’m going to call it right now, and you heard it first here (maybe). I’ve been alluding to it in a number of reviews I’ve written over the past 18 months but there is an emerging movement – let’s call it the Marrickville Sound – that has dominated the indie scene in Australia. Emanating from …