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News: Kim Wilde Announces 2026 Australian Dates for ‘Closer’ Tour

  • February 24, 2026
  • Deb Pelser
Kim Wilde
Kim Wilde will return to Australia in 2026 with her Closer Tour, revisiting a catalogue that stretches from ‘Kids In America’ through to ‘You Came’ and beyond, reaffirming her long standing connection with local audiences.
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Courtney Barnett
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Track: Courtney Barnett Finds Direction on ‘Mantis’ and ‘Sugar Plum’

  • February 24, 2026
  • Deb Pelser
Courtney Barnett has shared two new tracks, ‘Mantis’ and ‘Sugar Plum’, offering a clearer view into her forthcoming album Creature of Habit. The former captures a moment of unlikely inspiration, while the latter wrestles self doubt into something closer to optimism.
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Tame Impala
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News: Tame Impala Bring ‘Deadbeat’ Home With October Arena Run

  • February 24, 2026
  • Deb Pelser
Tame Impala will return to Australia this October for four arena shows in Brisbane, Melbourne, Sydney and Perth, marking the local arrival of the Deadbeat tour. The newly expanded six piece outfit continues a run that began with sold out North American dates, with Ninajirachi confirmed as special guest on all shows.
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Groovin the Moo 2026
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News: Groovin The Moo’s Lismore Comeback Blends Regional Roots With Global Pull

  • February 24, 2026
  • Deb Pelser
Groovin The Moo’s return to Lismore feels considered rather than nostalgic. Baker Boy arrives in the wake of DJANDJAY, stepping further into a creative chapter defined by confidence and cultural clarity, while Denzel Curry makes good on unfinished business with Australian audiences. Dope Lemon brings the slow burn of Golden Wolf, Matt Corby readies Tragic Magic, and Ninajirachi continues a steady rise after I LOVE MY COMPUTER reshaped her profile. Around them, local names and emerging artists give the bill a grounded edge, reinforcing the festival’s long standing relationship with regional Australia.
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Premiere: ‘Ready For It’ – after 28 years, The Remotes exclusively unveil their dreamy, evocative new single.

  • February 24, 2026
  • Arun Kendall
Some things age like a fine wine. Originally a duo comprised of Ollie Browne (Art of Fighting/The Hoodangers) and Kristian Brenchley (S:Bahn, Degreaser), The Remotes released their debut album, ‘Lonely…
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Kayla the Crow
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Track: Kayla the Crow Finds Power in Surrender on “The Door” 

  • February 24, 2026
  • Bodene Mckibbin
There’s a gentle bossa nova sway running through “The Door,” but its 5/4 pulse keeps things beautifully off-centre. Featuring Sannie Fox and produced by Josh Berry, the track embraces surrender over struggle. “The door is closing now,” Kayla sings with quiet acceptance, turning endings into a meditation on growth, transformation, and stepping into something new.
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Premiere: After a lifetime away, psychedelic pop icons The Crystal Set exclusively reveal their stunning new single ‘Critical Mass!’.

  • February 24, 2026
  • Arun Kendall
The light that burns twice as bright burns half as long – one of my favourite quotes from one of my favourite movies (Blade Runner) – is an apt description…
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BLACK COUNTRY, NEW ROAD
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Live Gallery: Black Country, New Road Build Something New at Sydney’s Enmore Theatre 24.02.2026

  • February 24, 2026
  • Deb Pelser
At Sydney’s Enmore Theatre, Black Country, New Road unveil yet another reinvention, trading past glories for intricate new terrain drawn from Forever Howlong.
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News: Cam Butler (Ron S Peno & the Superstitions) announces new solo album ‘World Forever’ and tempts us with the thunderous single ‘Clear Infinity’.

  • February 24, 2026
  • Arun Kendall
Last year’s album release ‘Spirits Flying Home’ (reviewed by me here) from iconic guitarist, producer and composer Cam Butler was described by me as a beautiful elegiac album, sparse and…
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Maverick Sabre
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Live Gallery: Intimate and Unflinching: Maverick Sabre at Sydney’s Factory Theatre 23.02.2026

  • February 23, 2026
  • Deb Pelser
At the Factory Theatre, Maverick Sabre trades spectacle for sincerity, delivering a performance defined by emotional clarity and a voice that shifts seamlessly between blues grit and hip-hop cadence. In an intimate Sydney setting, the Irish artist proves that scale is irrelevant when the connection runs this deep.
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