Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Gallery
  • Live Review
  • Music

Live Review: Morrissey INEC Arena Gleneagle Hotel, Killarney Kerry 24,09,2022

  • September 26, 2022
  • Ian Mc Donnell
Total
0
Shares
0
0
0

Morrissey kicked off his Irish/UK tour with a date at Killarney’s INEC Arena, oddly opting for only one Irish date by not including a Dublin one.

So as it was only one date and in Killarney this meant many attending the show had to travel and travel they did from all corners of Ireland and the UK (Maybe further afield as I only spoke to fans from Ireland and the UK on the night and morning after)
When I got to the venue many were already queuing at the entrance’s, it was a standing & sitting show, so two very large ques had formed at the relative entrance’s.

Doors opening just slightly after 7pm and those at the front making a hastily beeline for the barriers some even sprinting to get to the front.
Later than billed (show time was given as 8pm but was more 8.30) the man himself and band arrived on stage with Morrissey carrying a packet of salt and vinegar Tayto crisps and looking at them with (going by facial expression’s) what can only be described as disdain, after this the show kicked of with huge cheers to the opening song We Hate It When Our Friends Become Successful.
During Billy Budd loud chants of Morrissey Morrissey could be heard to which he replied now now pace yourselves.
Throughout the show each song was accompanied with its own projection on to a very large screen at the back of the stage, some of these being Bowie with Jagger / Peter Falk and other song related subjects.
Too many fans delights Morrissey stepped forward a number of times to touch/shake outreached hands of those on the frontlines.
Bonfires of Teenagers got the now well know intro of Morrissey words of disgust at Modern England (up till now he didn’t have much to say, but he seemed to come into himself and spoke more throughout the rest of the show) after this he picked up the tambourine for Everyday is Like Sunday and after I Am Veronica he announced he is Veronica.
Here he cracked a joke about not being able to sleep at 4pm in the afternoon so went for a walk and entered a record shop where he asked the shop assistant had she anything by Morrissey. to which he got a blank stare and the police arrived shortly, ending this with don’t! worry I’m used to it by now lol.
Then it was time for the third Smiths song of the night, that being Never Had No One Ever. Speaking again after this he was heard saying When you’re waiting on bad news sure enough the telephone rings and sure enough one did, loudly over the speakers and I don’t really need to say what song was played here now do I? lol.
The Loop followed and then was the big surprised of the night, for the first time ever in Morrissey’s solo career FRANKLY, MR. SHANKLY was played! and brought us all happily on Jack The Ripper which finished out the main set with the stage covered completely in smoke to the point of no one on stage could be seen.
Arriving back on for the encore with a shirt change for Morrissey, they kicked into the fifth and final Smiths song and another surprise as Please Please Please Let Me Get What I Want has not been played since 2013.
The encore consisted of two songs the second and last of the night was Irish Blood, English Heart during which Morrissey tore of his shirt, swung it around in the air before throwing it out into the crowd. Bet the caused a scramble at the front.
9.55 and that was it, just shy of an hour and a half of some of the best songs ever written in my humble opinion.
Set List.
We Hate It When Our Friends Become Successful
Our Frank
Billy Budd
Knockabout World
Black Cloud
First Of The Gang To Die
How Soon Is Now? (The Smiths)
Rebels Without Applause
My Hurling Days Are over
Half A Person (The Smiths)
Bonfire Of Teenagers
Everyday Is Like Sunday
I Am Veronica
Never Had No One Ever (The Smiths)
Sure Enough, the Telephone Rings
The Loop
Frankly, Mr. Shankly (The Smiths)
Jack The Ripper
______________________________________
Please Please Please Let Me Get What I want (The Smiths)
Irish Blood, English Heart

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • INCE Arena Killarney
  • Indie pop
  • indie rock live review
  • Morrissey
  • the smiths
Ian Mc Donnell

Irish based concert photographer, maybe! ever so slightly addicted to gigs. Listens mostly to alternative / goth / folk punk / punk / ska. I blame the 80s.

Previous Article
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Hearts and Minds

  • September 26, 2022
  • Rob Aldam
View Post
Next Article
  • Live Review
  • Music

Say Psych: Live Review: Float Along Festival, Sheffield, 24.09.2022

  • September 26, 2022
  • Le Crowley
View Post
You May Also Like
Thrown
View Post
  • Backseat Downunder
  • Music
  • News

News: Thrown head back to Australia with a formidable four-band metalcore bill

  • Deb Pelser
  • August 24, 2026
Kaleo
View Post
  • Backseat Downunder
  • Music
  • News

News: KALEO announce Way Down Under We Go Tour of Australia and New Zealand

  • Deb Pelser
  • August 24, 2026
underscores
View Post
  • Backseat Downunder
  • Music
  • News

News: underscores announces Australian theatre shows with umru this December

  • Deb Pelser
  • August 24, 2026
Jakob Dylan
View Post
  • Backseat Downunder
  • Music
  • News

News: The Wallflowers announce first-ever Australian tour celebrating 30 years of ‘Bringing Down the Horse’

  • Deb Pelser
  • August 24, 2026
Castaway festival
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Castaway Festival announces Hilltop Hoods, Violent Soho, Amy Shark and more

  • Deb Pelser
  • August 24, 2026
ON the steps
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Rise Against, Wolf Alice, James Blake and more announced for Sydney Opera House On The Steps 2026

  • Deb Pelser
  • August 24, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere
  • Track / Video

Premiere: Al Carr Finds His ‘Saving Grace’ in a Shimmering Jingle-Jangle Gem ahead of new album ‘Colour to the Flame’

  • Arun Kendall
  • August 23, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Meanjin/Brisbane’s Ancient Channels electrify the darkness with the barbed-wire dream pop of ‘Static Spirit’

  • Arun Kendall
  • August 23, 2026
Alex Lahey
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Alex Lahey celebrates 10 years of ‘B-Grade University’ with Retail Therapy and Suzi at Sydney’s Manning Bar 22.08.2026

  • Deb Pelser
  • August 22, 2026
Psycroptic
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Psycroptic and Rivers of Nihil bring metal mayhem to Sydney’s Manning Bar 21.08.2026

  • Deb Pelser
  • August 22, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: Rex Orange County Reunites With Daniel Caesar on ‘Indecision’
    Track: Rex Orange County Reunites With Daniel Caesar on ‘Indecision’
  • Album Review: Meanjin/Brisbane's Ancient Channels electrify the darkness with the barbed-wire dream pop of ‘Static Spirit’
    Album Review: Meanjin/Brisbane's Ancient Channels electrify the darkness with the barbed-wire dream pop of ‘Static Spirit’
  • Premiere: Al Carr Finds His ‘Saving Grace’ in a Shimmering Jingle-Jangle Gem ahead of new album 'Colour to the Flame'
    Premiere: Al Carr Finds His ‘Saving Grace’ in a Shimmering Jingle-Jangle Gem ahead of new album 'Colour to the Flame'
  • News: Castaway Festival announces Hilltop Hoods, Violent Soho, Amy Shark and more
    News: Castaway Festival announces Hilltop Hoods, Violent Soho, Amy Shark and more
  • Meet: 10 Questions With ... Delilah Bon
    Meet: 10 Questions With ... Delilah Bon
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...
%d